The New Game of Thrones Trailer is Longer and Dragonier (VIDEO)

HBO has released a new trailer for Season 3 of Game of Thrones, and this one is 21 seconds longer than the last one! But it's almost exactly like the last one! So what's different about it? Aside from some shuffling around of scenes, the 21 extra seconds added some sexiness, a bear, an upset Brienne, and a bit more dragon. Take a look-see.

Want to see exactly how they're different? I've put together a side-by-side viewing of the two on this nifty web site. Let it run and repeat and watch it hypnotically for hours! It's Sunday!

Season 3 of Game of Thrones premieres March 31 on HBO. 

Follow TV.com writer Tim Surette on Twitter if you want to: @TimAtTVDotCom

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Psych "No Country for Two Old Men" Review: Jeffrey Tambor Makes Everything Awesome

Psych S07E04: "No Country for Two Old Men"

¡Muy delicioso! Like sour cream and guacamole, Jeffrey Tambor and Corbin Bernsen made a perfect pairing in Psych's hysterical homage to The In-Laws.

If anyone can walk in the shoes of William Shatner, who plays Juliet's con-artist father, it's the Arrested Development patriarch. And Lloyd, Detective O'Hara's rambling, oblivious stepfather, has more in common with Bluth Sr. than he initially seemed to: He's a recovering gambling addict with huge debts.

Lloyd was introduced at Juliet and Shawn's housewarming party, where his accounting anecdotes were so dull that most of his fellow guests wandered away mid-conversation. But that didn't stop Shawn from encouraging the two dads from becoming early-bird-special besties.

"No Country for Two Old Men" may not be an all-time great like last week's epic "Lassie Jerky," but it was a comical romp that hit all the right notes. One of the highlights was Gus, fancying himself a family man now that he's dating a woman with a young son, injecting himself into every discussion about parenthood.

"Don't worry, buddy, it'll happen for you someday," Gus consoled Shawn as they watched young Maximus, whom Gus just met last week, play soccer in the yard. "They grow up so fast, don't they?"

(It was a nice touch having Bend It Like Beckham star Parminder Nagra reassure her boyfriend after Gus failed to block her "goal." Well played, Psych.)

Henry and Lloyd's innocent lunch date took an expected (for Henry, anyway) turn, with the two fleeing gunmen, stealing a car, flying to Mexico, and clashing with local cops and one of the region's most-wanted criminals—all because the former gambler was trying to square his debts.

With each hiccup, Lloyd cheerfully promised his Costco-outfitted travel companion, "Smooth sailing from here on in!"

Close on their heels were Shawn and Juliet (a.k.a. Julihawn, Shawniet, and Shules, if you prefer one of Shawn's "singular" suggestions) and Gus, whose paternal instincts are warring with his sudden "suffocation" from his new relationship. ("Last week I was my own man. Now whenever I turn around, there they are!"; "A man just needs his space.")

They found an ally in "the Mexican version of Lassiter," who of course turned out to be a corrupt cop whose henchman nearly killed Lloyd.

In the end, Shawn's wish came true: The two dads became unlikely pals—which bodes well for the wedding we hope is on the horizon. Más Tambor, por favor!

The icing on the flan? Henry and Lloyd's adventure allowed Shawn to practice his terrible Spanish skills.

Not since Season 2's "Lights, Camera... Homicidio" has the fake psychic had so many opportunities to rolls his Rs so badly. And like "Homicidio," the Psych theme song—performed by show creator Steve Franks and his Friendly Indians band—was translated and sung in Spanish in the opening and closing credits.

The real in-joke here is that James Roday, born James Rodriguez, is half-Mexican. And although he may not be as fluent in Spanish as his father, it was his first language as a child. ¡Arriba!

DELICIOUS FLAVORS

Mexican buffet from Olé Mole, cumin, curried crab, Pinkberry, sopapillas with honey (Mexican pastry heaven), lobster thermidor, Tostitos (as in " Vaya Tostitos, Mexican Lassie"), Mexican Coca-Cola ("we use real sugar"), Coke Zero

QUOTES


– "Gus don't be the remake of Yours, Mine and Ours. For that matter, don't be the original either."

– "I wish we were the black Von Trapps." (Gus on Rachael having more kids)

– "I don't want to be the black Von Trapps. I want to be I Am Legend, and that's the truth of the matter." (Gus, later)

– "Semantics." (Gus, a new twist on Shawn's "I've heard it both ways"

– "Chickens, son." (Gus)

– "Look at me, I seem like this great dad and whatnot. The truth is I abandoned my family. I'm a black stereotype." (Gus)

– "I smell something: battered. Fried. Sweet. SOPAPILLAS!" (Gus and Shawn after the Super Sniffer's positive ID)

– "I never say no to disco." (Henry at gunpoint)

– "Mexican Lassie. Way better than American Lassie, not unlike Coca-Cola."

– "I suppose you can also use them to carve animal flesh, especially if said animal is invading your home." (Lassie on his ninja throwing blades housewarming gift)


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Best of 2012: Who Would You Nominate in the Comedy/Drama "Best Actor" Categories?

UPDATE: GUYS GUYS GUYS GUYS GUYS THIS STORY IS FOR THE GUYS. ERR, ABOUT THE GUYS. IF YOU WANT TO WEIGH IN ON THE "BEST ACTRESS" CATEGORIES, YOU'LL WANT TO CHECK OUT THIS STORY RIGHT HERE.


Good heavens, it's almost 2013 which means it's almost not 2012 which means it's almost time for us to declare what was definitely great in 2012! It's not easy to sort through all the television happenings of the year on our own, and because we value your input—and also because you will complain if we omit your favorite show or actor—we're asking for your help as we assemble the nominees for our Best of 2012 awards.

Today we're looking at the fellas, dudes, and bros who acted their hearts out for your entertainment. For everyone's convenience, we've combined the comedy and drama categories into a single post, so make sure your voice clicks are heard in BOTH polls. We'll take the top vote-getters from readers and throw in some editorial picks for the final ballot, which will be out in early December.

The only requirements are that the actor appeared on a program that aired in 2012, he acted well, and that he is a he. (To submit your picks for the "Best Actress" categories, click here.) Feel free to add your own nominations using the write-in feature, and please make sure you nominate actors in the correct poll (dramatic actors in drama, comedic in comedy). Now get clicking!


PREVIOUSLY:

Best of 2012: What Shows Would You Nominate for "Best New Series"?

Best of 2012: What Shows Would You Nominate for "Best Overall Series"?


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American Horror Story: Asylum "The Origins of Monstrosity" Review: Holla Backstory (PHOTO RECAP)

American Horror Story S02E06: "The Origins of Monstrosity"

To those of you who celebrated America's most delicious holiday this week: Did you watch American Horror Story: Asylum with your family? How'd THAT go? Haha FX, you crazy for airing a new episode this week.

Anyway, whoa. "The Origins of Monstrosity" was definitely a downshift in intensity, right? It wasn't terrible; it was more like, after five episodes of extremely dense storytelling, we got a breather episode in which the writers decided to fill in certain backstories to prepare us for a turbo-charged endgame. (Hopefully?) While that makes sense from a season-outline standpoint (there needs to be a quiet before before the storm), nothing kills horror for me like over-explanation. One of my biggest horror pet peeves (aside from cat scares or dream sequences) is when we learn TOO MUCH about the killer's backstory or motives, particularly when those explanations are not very original or compelling. So, I'm just going to say it right now: Bloody Face's psychology kind of sucks? It doesn't matter that we now know his identity, I just wish that we didn't get the dumb "I miss my mother" explanation for what he does, you know? He'd be much scarier as an un-knowable, irrational enigma a la Leatherface from The Texas Chain Saw Massacre. Instead they went the Ed Gein/Norman Bates route and I'm already kinda bored! Oh well. But while I found that particular backstory to be a bit of a letdown, I did enjoy delving into the pasts of Sister Eunice and also the Monsignor. Those backstories actually shed light on the characters in a way that didn't kill my interest in them. So while I had major problems with certain flashbacks, the episode still had a lot going for it.

May as well talk about it! Grab a leftover drumstick and pull up a chair!

Unlike the past few episodes, this one brought back the flash-forward cold open, this time with a voiceover (by Zachary Quinto! EDIT: People are saying it's NOT him. Oops!) of the real Bloody Face calling in the murders at the abandoned asylum. So now we knew that somehow Dr. Thredson was still alive 38 years after the events of the main storyline and he was NOT happy about the copycats. Also, he was apparently very strong and limber enough to hang THREE corpses from the ceiling all dramatic-like:

So yeah, that was an interesting turn of events! No cult of Bloody Face, just an angry, elderly slasher.

Meanwhile we met a new psycho-of-the-week, sort of a Bad Seed, Wednesday Addams type:

I appreciated the scene in which the psycho girl's mother tried to have her locked up, but Sister Jude hemmed and hawed about Briarcliff not being a very good place for children. But it was pretty obvious Sister Jude was really just totally over the entire institution.

Sister Jude really fascinates me. We know she has a capacity for empathy and also the ability to discern right from wrong, so there's this huge temptation to root for her to become a heroine of some kind. But then remember that time she forced Lana to have electroshock therapy just out of bitchiness? Or the time she whipped Kit with a barbed cane? Sister Jude is basically a monster! I just never know how I'm supposed to feel about her, and I mean that as a compliment to the writers.

Meanwhile in Dr. Thredson's subterranean murder lair, Lana woke up and discovered that he'd moved an entire bedroom's worth of furniture down there for her benefit. Also he was frying up some croque madame using, like, a hot plate or whatever. So there she was in a serial killer's basement and she was already living a better life than me.

Anyway, while Lana tearfully ate her breakfast (eat-crying is the best!) Dr. Thredson helpfully explained what had caused him to become a repulsive monster... Aaaand it wasn't that interesting! Basically he was an orphan who missed his mother and skinning women alive was his way of feeling closer to them.

Plus, it came with some super creepy flashbacks. Like the first time he shirtless hugged a cadaver:

Unfortunately that dead lady was TOO dead, so he then resorted to kidnapping women, skinning them alive, then turning their faces inside out and wearing them over his own. Not a great hobby, in my opinion. But the twist of this sequence was that apparently Dr. Thredson viewed Lana as a mother surrogate whom he may actually keep alive. Lana was just chill like that apparently.

So even though Sister Jude decided that Anne Frank had been crazy, the Nazi hunter (who, it should be pointed out, was named SAUL GOODMAN and was played by an actor from Breaking Bad) called and told her that Dr. Arden was definitely once known as an S.S. officer named Hans Grueber. ( Ryan Murphy <3s Die Hard almost as much as Breaking Bad!)

Meanwhile across town, the little-seen Monsignor was called to a hospital to deliver last rites for some legless creature that had been discovered on a playground.

Even though he seemed to be a latchkey asylum director at best, he still immediately recognized the patient: It was Shelley!

So then we got a flashback to how exactly the Monsignor came to know Dr. Arden:

(Not trying to start any rumors did the Monsignor set off anybody else's gaydar in this flashback?) But yeah, upon converting the former tuberculosis ward into an asylum, the future monsignor learned that Dr. Arden had been undertaking experiments on human immune systems, and the monsignor insisted he continue developing his mad science in exchange for giving him tons of credit and helping him to become pope. Or whatever! Ugh, ambitious priests are the worst.

Then Shelley died (POOR SHELLEY!! Heaven just got a little sexier.) and it seemed like the Monsignor had had a HUGE change of heart about the ethics of Dr. Arden's science.

He was so mad he pulled the most badass priest move possible:

He rosary-whipped Dr. Arden's record player!! Oh my gosh, drama.

Unfortunately, his righteous anger didn't last long:

And boom! The b-mail card. Dr. Arden sure knows how to play hardball. It was hinted that the Monsignor had secrets (which MAYBE had to do with that second priest he was chillin' with in the flashbacks?) but it is probably just as simple as "I've been doing bad stuff on your watch and you'll be in troubz."

Okay, I loved this scene: After the psycho girl's mother abandoned her there (fair enough), the girl spent some quality time with Sister Eunice.

And they really got along! They just got each other, you know? I loved when Sister Eunice casually mentioned "I'm the devil" and the little girl wasn't even fazed. It was almost touching! Anyway, the interesting part of this scene was that although Sister Eunice was definitely possessed by a demon, it wasn't like the demon took over, it was more like the demon joined up with with Sister Eunice's personality and she still considered herself to be the original Sister Eunice, just with more bad girl 'tude.

In an explanatory flashback to explain how frightened and squeamish Sister Eunice used to be about sex, we got one of those in-movies-only horrifying prank situations where a group of friends brutally terrorize another person all in the name of being funny (but it's not funny at all and is actually just plain assault). So in this case they told Sister Eunice they'd all go skinny dipping but when it came time to drop their robes, they all had bathing suits on and she was just as naked as a jaybird. (What is a jaybird?) So that's why she became a nun! Cool story, sis.

Part of Dr. Arden's blackmail involved forcing the Monsignor to fire Sister Jude.

She did not take it well, but deep down I bet she was STOKED. Just my theory though.

Kit used his one phone call to call Dr. Thredson at home and tell him that he'd been sent to REAL prison under mysterious circumstances.

Haha oh, Kit, you lovable idiot. Dr. Thredson definitely used tricky language to deny that he'd done anything wrong, but Kit didn't buy it. Uh-oh, I bet Kit is just one alien-assisted prison break away from getting revenge on this dude. Except Dr. Thredson is apparently still alive in 2012 so who knows?

Anyway, while he was on the phone, Lana was furiously trying to saw through her chains and she almost did! But when Dr. Thredson came back in the room she was all sweaty and jittery from the effort and he immediately found her out:

Nice try, girl!

So then Sister Jude was packing up and left the room for a bit, and Sister Eunice started trying on her underwear and thrusting her pelvis at a crucifix. Typical demon stuff.

That's when the phone rang and it was the Nazi hunter, so Sister Eunice impersonated Sister Jude (!) and then decided to take care of business (business = murdering elderly Nazi hunters):

While that was going on, Sister Jude was offering a drink to her worst enemy:

As it turned out, she was really just trying to get his fingerprint so that the Nazi hunter could 100% confirm that Dr. Arden was once called Hans Grueber. Alas, it was too late:

Better call Saul... an ambulance! Before he died he gurgled something about how a nun had killed him, but it wasn't clear if Sister Jude understood him. Too much gurgling, probably.

Meanwhile both Sister Eunice and Dr. Arden opened up to each other:

He finally admitted that he had indeed been a Nazi and then he started whining that he had been denied recognition for all of his awful experiments, etc. And also Sister Eunice kissed him and it got even more awkward. Which, considering it was a scene where an old man whined about Nazi hunters just being a bunch of haters, is saying something.

Meanwhile, in a cute turn of events, the psycho girl murdered her entire family.

And in Dr. Thredson's basement, he decided that Lana needed to die for trying to escape, so he put on his mask and started sobbing and it was all a lot to handle

But using some quick thinking, Lana realized all she had to do was start calling him "baby" and act all maternal and whatnot. And it worked!

But whoops, that's when he started breast feeding:

YIIIIIKES!

The episode ended with the investigators nosing around the modern day crime scene and realizing that dead Adam Levine probably had had a ladyfriend in there somewhere. But she hadn't been found yet!

And that was because...

She was alive and in Dr. Thredson's old basement! And Bloody Face needed a new pashmina! Or something, who knows? Either way, I'm guessing at this point she probably just wished they'd gone to Maui.

So yeah, this episode was more like homework than a party. Still well-written and enjoyable, but it would've been more fun if we'd all been marathoning the entire season in one sitting and could immediately start watching the next episode. But as a standalone, it was kind of grim and academic. Also I wish Bloody Face had a more interesting explanation (or better yet, NONE). But I am not trying to tell American Horror Story what to do. Let your freak flag fly, show! I trust you.

QUESTIONS:

... Will you miss Shelley?

... What is the Monsignor's secret?

... Does it ruin the suspense to know that Dr. Thredson will survive at least another 38 years?

... Should Sister Eunice start a mentoring program for evil children?


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Bob's Burgers "Bob Fires the Kids" Review: Blueberries for Belchers

Bob's Burgers S03E03: "Bob Fires the Kids"

So thanks to a really quick World Series (good job, team that won! Better luck next year, team that lost!), Bob's Burgers came back a week early! Hurrah!

When I was in school, I was one of those kids who didn't particularly like summer. I was fine to be out of school for a bit, but did I really need three months of unstructured time? The anxiety of summer weighed down on me. How much could I read? How much swimming and Yoo-Hoo drinking could I really do? As Gene so eloquently put it, "There's too much pressure to enjoy yourself! It's like New Year's Eve for kids!"

As a result, "Bob Fires the Kids" spoke to me on a very base level as the Belcher kids struggled to find something to do with all the free time they suddenly had when Bob, due to the arrival of a box of old toys from his father's old restaurant, fired the kids so they could have the summer vacation he never had. And so the kids set out to experience days full of ruined bicycles, faulty water balloons, the dangers of ants, and getting smacked in the face with ocean diapers.

Some of that was fun for a while, but it wasn't long until boredom set in. So when the kids stumbled upon a blueberry farm owned and operated by an old married hippie couple (voiced by real-life married awesome couple Megan Mullally and Nick Offerman), they went to work for them ($10 a day!) picking blueberries, harvesting marijuana, and delivering the marijuana in blueberry boxes with false bottoms.

While class is only occasionally explicit in Bob's Burgers, like in the Halloween episode a month ago, it's still an undercurrent in a lot of episodes, and "Bob Fires the Kids" was no different. The kids didn't know what to do with the sudden influx of leisure time, and were happier when they'd found new jobs to replace their old ones. Certainly the money made a difference, but I suspect they would've worked at the farm for free since they're fine working at the restaurant for free.

There's a definite "always need to be working" mentality that feels unique to this show. Most summer stories for kids focus on crazy hijinks, and while this episode was no different in that the kids ended up involved with pot dealers, the plot was still connected to labor and work. Is that mentality so ingrained in the kids that they can't see outside of it? And what sort of an ideological message should we be taking away from it?

To round out the episode, Mickey the robber from the Season 2 episode "Bob Day Afternoon" returned—free after the prosecutor was discovered to be on meth—and after driving into a peacock sanctuary, he began to work in the restaurant. There wasn't much meat to this particular plot, as the point of Mickey's presence was to serve as a vehicle for Bob to realize the error of firing the kids and allow Mickey to lead the Belchers to the blueberry farm. At least we got a solid Shawshank Redemption joke out of it.

– The Burger of the Day board was really busy in this episode: the Teeny Weeny Yellow Polka Dot Zucchini Burger, the Summer Thyme Burger, the Beets Me Burger, and the We're Here, We're Gruyere, Get Used To It Burger. There was also some burger served with butter and lettuce, but I couldn't quite make it out.

– "If you think about it, any box could have vibrators in it."

– "What is this feeling I'm feeling right now? It's like I'm sad for another person? Is that a thing?! AM I GOING CRAZY?!"

– Teddy fondly describing his imaginary kids made me both sad and a little creeped out. Obviously he's not over Francis yet.

– "Why are you guys stronger than me?!" "PILATES!"

– I would never have thought of calypso music to mask tunnel digging. Thanks for the tip, show!

– "They smell like a music festival."


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