Showing posts with label Until. Show all posts
Showing posts with label Until. Show all posts

News Briefs: Louie Will Break Until 2014

BUSINESS TIME

... In a conference call with reporters this morning, Louis C.K. announced that his FX show Louie won't make its usual summer debut next year; instead, Season 4 will be delayed until May of 2014. The extended break will give C.K., who writes, stars in, and directs the show, more creative freedom and the proper time to deliver the type of product he wants to. And you know what? Maybe a little vacation, too. The guy makes one of the best shows on TV right now, and it's almost all on his back, so go ahead Louis, go to the Grand Canyon or something. [Variety]

... ABC Family's The Secret Life of the American Teenager will end after the upcoming second half of its fifth season. All of ABC Family's current scripted shows have The Secret Life to thank, because it was the breakout series that put ABC Family in the business of original programming. The final 12 episodes of the series will begin airing in March. Now Shailene Woodley can be the star she was always meant to be and get a role opposite Shia Lebouf Shia Leboof Shia LaBeouf in something loud and splashy. [Deadline Hollywood]

... Also ending is the U.K.'s Shameless, the one Showtime's version is based on, which is calling it quits after 11 seasons. The Channel 4 dramedy will end in 2013. [THR]

... GSN has renewed The American Bible Challenge for a second season. It's a game show that tests contestants on their knowledge of the Bible. I just wanted to let you know that this thing exists. [GSN via press release]

... OMGYRAC! (Oh my goodness your ratings are crap!) Gossip Girl, once the zenith of pop culture and the accidental instructional precursor to Teen Mom, returned for its final season with... 770,000 viewers and a 0.4 rating among adults. You know what the final season needed? More hypersexualized ice-cream eating. [TV Line]

... J.J. Abrams is producing a Fox comedy about some woman's guide on becoming an adult. So I'm guessing there won't be any killer androids, alien overlords, or time-traveling in it? [Deadline Hollywood]

... Rachael Harris (The Hangover) and Angela Kinsey (The Office) are teaming up for Dirty Blondes, a comedy at Fox. The series is loosely based on their real-life friendship and focuses on two recently divorced pals. [Deadline Hollywood]

... Speaking of divorce and Fox and adding a terrible idea, Fox has ordered a pilot of the reality show Divorce Hotel. The gross premise features estranged couples staying in a luxury hotel and speeding up their divorce proceedings with lawyers, mediators, and I'm guessing hunky poolboys. [Deadline Hollywood]

... Nickelodeon is bringing its shows to Hulu. Now you have no excuse to fall behind on SpongeBob SquarePants. [NY Times]


CASTING NEWS

... Parks and Recreation is bringing back Megan Mullally to reprise her role as Tammy 2. She'll return in Episode 9 to cause some friction with Ron Swanson's new lady friend. [TV Guide]

... The Big Bang Theory's Kaley Cuoco will host the People's Choice Awards for the second year in a row. Willingly. I had no idea Cuoco was a masochist. The more you know... [CBS via press release]

Follow TV.com writer Tim Surette on Twitter: @TimAtTVDotCom

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The Office's Season 9 Premiere: Pray Until You're a Cat Person

The Office S09E01: "New Guys"

"Don't you guys have everything? It's just a paper company."

There's nothing like seeing the end to make us look back through our regrets, is there? Like a montage of facepalms, these are the days of our lives.

It appears that the people behind The Office felt the same way when faced with the final season. It's clear they reflected on some criticism and used the premiere to address a few of the issues that've been plaguing them. They wasted no time as the teaser found a way for a star to exit (Kelly went out on a punchline, though I'm still dubious over whether the glee she experienced upon hearing "Miami" would cloud the chagrin that always comes when someone follows up with "Ohio"), a storyline to be reset (Andy's back in power), a different storyline to be erased (Dwight's son will have to wait), and a new opportunity to rile the world's most boring couple (bland Jam).

And that's all the matters so far. There are two reasons that there are only five people in Season 9's opening credits, despite The Office's large ensemble cast. The first is time, because getting all those people into the opening would make the sequence almost as long as The Newsroom's, which feels slightly longer than Ben-Hur. The second is that these are the five people who are now the core of this show. Whether this season is great or not isn't going to fall on the shoulders of Stanley or Meredith or even Creed (sometimes I wish it was Creed). It's that inner circle that'll make it or break it.

And, to that end, I think they did a pretty good job.

The Andy vs. Nellie thing may be setting the table for a meal for which we haven't received a menu but, for now, it's pretty silly. The heart of the episode focused on the two characters who are arguably the heart of the series. The look back didn't end behind the scenes: Dwight and Jim got parallel storylines that allowed them a vision of themselves in the form of fresh-faced goofballs. And neither liked what they saw.

Let's face it: Jam needed a shake-up. You know it. I know it. Your cat probably knows it. Since they got married, it's pretty much been more entertaining to watch that plant in the confessionals grow. So I was ecstatic to see Jim, after listening to Pete talk about dreams and ambitions and realizing that part of him has been cold and dead since he turned a Beesly into a Halpert, take action. What I'm afraid of, however, is that the action won't be enough.

Pam isn't an established dream-killer. She might have repeated a few dozen times this episode that she likes her boring life, but would she stand in the way of Jim doing something important with his? She might be upset that he made a decision without consulting her first but, no, I don't think this is something that could change things up for them. Especially since, if they decide to do the long-distance thing, with Jim going to Philadelphia while Pam stays in Scranton, they've done it before. I'm not saying they would be jumping the shark (I have very specific conditions regarding that phrase), but there was a time when Pam wanted to go to art school and Jim patiently waited for her. Granted, now they have a family and she would have to, presumably, be left alone with the kids or quit her job to move. I just don't think Pam has been established as the type that would stand in Jim's way. It feels like a one-episode problem..

That's how bland Jim and Pam are: You can't even conceive of them doing anything rash or theatrical based on emotions. They're like the anti-Bravermans.

Dwight, however, is all theatrics. Between ridiculous slapstick and throw-up scenes, he identified Clark as his doppelganger, either his younger double who wants to take his place or an omen of his irrelevance/death. I suppose that explains why Dwight decided that, instead of proving his worth through his job (which is all Clark seems to want—to be a salesperson), he wanted to prove his vitality through feats of strength. He failed, of course, but leave it to Dwight to escalate something until it's too ridiculous to be worthwhile.

And that's when Jim and Dwight's tracts defined themselves as parallel. In an effort to not be erased from the world, either by being forgettable or through the machinations of a guy named Fart, both of these men, the beating hearts of this show, took giant risks. While we only saw the beginning of Jim's (the phone call), we saw Dwight's play out. And it didn't end well. How do you think Jim will fare?

All in all, "New Guys" was a decent season premiere for The Office. It was a moderately sharp episode with some of the things we love (Jim convincing Dwight about the sales meeting and the belt above black was beautiful) and callbacks to the things we're nostalgic for (interesting that Andy made an effort to recall Michael with regard to Toby). While the episode still wasn't on par with those of the show's earliest seasons, I didn't roll my eyes even once. The episode wasn't lazy—and for The Office, that's a win.

– I could've done without the blue throw-up. Why was there so much? And right after it was mentioned? It was like Chekov's barf take but it went off before the first act even started.

– I really liked the turtle story. I also like that Oscar was more willing to tell Kevin he was putting the pieces of the shell together wrong rather than just convince him that that turtle is already dead.

– BJ Novak probably wishes he could go to "Ohio," too.

– The crew actually responded when Pam questioned why the documentary is still being filmed. I know a lot of people can't wait to see who's in charge of this production and will love it when they break the fourth wall. Obviously, the characters ask questions of the crew often, but the crew very rarely responds. The only time I can think of it happening is when they showed Pam evidence that Dwight and Angela were together ("E-mail Surveillance"). To me, it's disconcerting.

– Angela: "If you pray hard enough, you can turn yourself into a cat person." Oscar: "Those guys always turn back, Angela."

– I didn't really think we needed another relationship on this show (we already have Jim and Pam, Andy and Erin, Darryl and Val, Meredith and Pete's face) but at least Oscar is seeing someone outside of the office. And he's a (state) Senator, too!

– Creed: "I laughed and I cried. Not bad for a day in the life of a dog food company." If Creed isn't summing up the episode for us every week, we're wasting our time.

– How will Pam take Jim's decision?

– How long until Oscar gets caught? Will a cat in jeans be his downfall?

– What is our plan for Nellie?

– Do we think all the slapstick with Dwight was funny or kind of cheap?

Do you have "Eternal Flame" stuck in your head like I do? Is it the version from Pushing Daisies? Samesies!


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