Pretty Little Liars "What Becomes of the Broken Hearted" Review: The Legend of the Tiger Sweater

Pretty Little Liars S03E19: "What Becomes of the Broken Hearted"

How Spencer continues to be the best, I don't know. But the rest of the Liars really helped her out this week by lowering the bar of excellence.

While Spencer continued her descent into conniving madness, the rest of the group was not only judgmental (Emily) but also participated in sitcom level antics (Aria, Hanna). And then Spencer jumped on Mona and tried to choke her out.

Of the non-Spencer stories, Emily's was easily the most annoying, mostly because Emily was at her most annoying. I expect that moral browbeating from, well, Spencer, but I don't exactly feel it's appropriate for Emily to huff and puff about exploring sexual boundaries, particularly since Andrew is one of the least suspicious men in Rosewood and Paige tried to drown Spencer. I hear you, Em, this isn't like the Spencer Hastings you know, but take Hanna's advice and cut her some slack.

Her storyline was made more frustrating as she became a passive played in the theater of exposition. Emily's basic trait as a passive character makes her a relative ghost as it is, but we basically could've followed Jason searching for the photo after her hot tip and not missed her at all. The message from A (about Jason needing booze for later) was weak foreshadowing even by A's standards, and I could've done without Emily's whimpering while trying to climb out of the elevator, particularly since normally a physical challenge for an athlete like her shouldn't pose too much of a daring obstacle. What happened to our stoic Emily from when Paige was freaking out? I didn't mind the panic after the elevator fell, but shaking like a leaf when faced with the task of sliding out seemed inconsistent.

But at least Emily was caught up in the A drama. Maybe Spencer is handling enough of the A stuff to cover most of the group, but PLL gave Aria and Hanna a break this week as Hanna pursued a doomed father-son relationship for Caleb and Aria found herself possibly involved in an age-appropriate relationship (the horror!).

I was happy that the Jamie story developed further than Caleb getting excited and him not showing up. The episode constantly hinted that Hanna's obsession with establishing a relationship between Caleb and his real father was due partly to her own damaged relationship with her dad, which was fine, though the show hasn't really worked on Hanna's disconnect with her father in a while. Since she doesn't have a whole lot of A nonsense to deal with, it seems like she has a lot of time on her hands to play paternal matchmaker and, in a story that we all knew was doomed, she reared an ugly head when it was revealed Jamie stole from the collection box. Maybe. Unless Ted paid him an advance from the box since that money is for the church and Jamie is now a church employee. Hanna's horror at Jamie pulling out the be-diced five might have been her using a Jump to Conclusions mat.

And then there was poor little Aria, helping out Cece who was trying to help her out. There's speculation that Cece could be the Blonde in the Red Coat and, to me, this might be the closest thing to suggest that (other than a history with Ali). Very early in the series, A seemed like a guiding figure in their lives, even if she was using slightly malicious methods. The goal seemed to be less about needlessly torturing the girls and more about coaxing them through blackmail to let go of their secrets and live freer lives. Aria hanging on to creepshow Ezra is only holding her back (especially with our knowledge that he's probably maybe on the A team), and Cece helping a sister out by giving Aria alone time with Little Fitz, while not as conniving, is in that same vein.

The kiss they shared was almost welcome to me. A sense of relief that there's light at the end of the tunnel (even if that light is the speeding train of a scorned Ezra) made me feel like there's a future for Aria that isn't just her being part of that dysfunctional relationship. I know there are so many Ezria 'shippers out there but, even if you don't think their romance is super creepy, you have to admit that her obsession with him has done nothing but hold her back as a developing character. Her relationship with Ezra (and her dead-animal fashion sense from early seasons) define her.

And then there's Spencer. There was a fear early on that A found that thing Spencer was afraid to lose and all that effort of making her the force of change in the contract between bully and victim would be for naught. Luckily, the writers kept her true to character. The trick with making such a clear change in direction for someone on the show while still being consistent to the character is making sure one can see the distilled virtues and flaws within the change. You have to still see the prototype. And while the threat against her friends would be enough for Emily, Aria, or even Hanna to cower in shame, Spencer leapt on Mona's throat like a mama bear protecting her cubs.

While Spencer is certainly cunning enough, her manipulative side needs work, and I like that we're seeing her going through these growing pains of being the white-hat version of A. Obviously she has Wren wrapped around her little finger and she came this close to showing an almost nude Andrew her cupcakes, but she has a long way to go before matching the prowess of someone as trained and experienced as Mona.

What's strange is that, just before Spencer leapt into action, it almost seemed like Mona and Spencer weren't even having the same conversation. It was just one of those cartoon battles where the characters pull out bigger versions of their guns to intimidate the other. It left me with the odd feeling that Mona doesn't know how far gone Spencer is, like she's out of touch. Well, she's in touch now.

"What Becomes of the Broken Hearted" wasn't a seminal episode and maybe the closest to filler as this show gets. But any episode that ends with Spencer pouncing on someone is at least worth watching.

– I get that you're hurting, Spencer, but what's up with the cat sweater? You look like a rec center art teacher.

– The question shouldn't be, "Why are you Mapquesting Amish Country?" It should be, "Why are you using Mapquest?" Is Apple Maps THAT bad? When Emily stopped the strip trivia session, am I terrible for thinking, "But, Em, you like cupcakes"?

– Yeah, you should totally make fun of Hanna's decorum and then make out with her at church. Caleb is like school in the summer: no class. OH BURN.

– Glad to see that Bruce, the scary watermelon baby at Cece's boutique, is still adorning the walls. When Aria was asking for something round that could go in the photo, I really wanted her to suggest a watermelon. Just some recognition as to how weird that thing is. Why does no one address the watermelon baby?

– The obvious big question from this episode asks where Jason disappeared to after being incapacitated by the elevator crash. How did he abscond from the hospital? Was he taken? Who on the A Team could carry him? Toby is a strapping young man, but Jason isn't exactly a fragile waif.

– The final hoodie scene where they played spin the bottle with spirits might be the most surreal of all the final hoodie scenes to date. Even more than when one of them was trying to eat french fries with thick winter gloves.


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The Walking Dead "Home" Review: Don't Fence Me In

The Walking Dead S03E10: "Home"

Even in the afterlife, Lori is messing up The Walking Dead. Rick's dead wife has returned as the series introduced hallucinatory ghosts to its canon late last week, and wouldn't you know it? There was Ghost Lori beckoning Rick to leave the safety of the prison in the opening moments of "Home" because Ghost Lori would rather haunt us forever than move on to the spirit realm. So there was our fearless leader, plodding around in the exterior garden hugging and making out with the air while Michonne stared on in disbelief in one of the series' biggest bummers of a cold open.

In the immortal words of Shane, "Lemme ask you sumpt'n:" Raise your hand if you want to see Rick chasing after Dead Lori. Okay you, the one dude with the ghost fetish who raised his hand, get out! Rick's no stranger to a case of the Madness having already spent hours on the prison phone talking to dead people and stopping slack-jawed in the middle of a gun battle to see a vision of his dead ex-best friend, but it's time someone slap some sanity into him because Crazy Rick is boooooring, and has been boring ever since he first got the sweats and stomped around the prison. And for the most part, he's doing this on his own with no moral support (Hershel finally asked him "What up?" to which Rick replied, "I've... I've been... I've got... stuff out here."), taking him away from the group for a series of soap-opera acting lessons from Andrew Lincoln. Rick's mental deterioration should stoke enough concern from the rest of the group to stage some sort of cold shower or intervention, but instead everyone seems fine to let arguably their best chance at surviving this thing chase butterflies in the grass while zombies roam free in the area. Can you think of a worse journey to lead a show's main character on than a situation in which their reality is clearly altered (even Rick knows he's trippin') and it has the same effect on the group as if he had just stepped out for a long cigarette break? Rick needs to be interacting with the group, not chasing after his bitch of a cheating wife.

The absence of Ranger Rick and Deputy Daryl supposedly left Third-in-Charge Glenn in command, but his attempts to sway the troops towards his idea of ninja-assassinating The Governor were laughed at. Well, I laughed while everyone else traded awkward glances. Seriously, Glenn? You finally get to wear some stripes and your first idea is to play cat burglar? Revenge for the atrocities inflicted on him and his fair lady in Woodbury have Glenn totally bonkers.

Then Glenn and Maggie got in a fight for no reason, Axel and Carol had a chat that would prove pointless a bit later, and we were halfway through another mess of an episode that may as well have all its characters talk to bars of soap or wear pots and pans as hats and bang on them with wooden spoons. Thankfully someone remembered that this show was about killing zombies, and the second half of the episode appeased our blood lust.

Daryl and Merle came across a family pinned on a bridge by zombies, which allowed the brothers to have that "Are strangers worth saving?" argument (Daryl is pro, Merle is against). The idea was to bring Daryl back to the good guys for a bit and sell some Subaru Outbacks with the new Guillotine Backdoor feature, and both worked. But what did we learn about the Dixons in their time apart from the group, aside from seeing Daryl's back tats and child-abuse scars, that made this side trip feel necessary? Not a whole lot, and before the episode ended Daryl and Merle were already back at the prison so we can have the whole "What's Merle doing here?" argument all over again. And yes, it's coming. Prepare yourself. I was expecting Daryl and Merle to be on their own for at least a few episodes and have something interesting happen on their adventures, but that Daryl-Carol shipper fan base is pretty powerful, I guess. Anyway, it makes all that pro-brother arguing from last week seem pretty silly now.

After a bit more chatting that led nowhere (Hershel: "We need you back, Rick!" Rick: "Sorry, stuff."), Axel got cockblocked in the worst way possible while making moves on Carol, aka the closest thing with a vagina. We've seen these two really open up to each other in the last two episodes, and it was really great to see Axel accepted as a *BLAM* OH MY GOD THEY KILLED AXEL! Do these writers get off on developing a new character just enough for us to fall in like with them, only to have them eaten/shot/filleted in the very next scene? At least give us a ceremonial mustache shaving next episode please, because Axel's lip caterpillar is worth saving in a shoebox for a rainy day. I liked Axel. Sigh, throw him on top of T-Dog.

Axel was taken out by The Governor, who stopped by the prison to annoy its inhabitants rather than completely wipe them out. After that first lone shot nailed Axel right in the mustache holder, a lengthy rally of warning shots between The Woodbury All-Stars and The Prison Rats rang out and it was genuinely thrilling despite the fact that no one was able to hit a target for like 45 minutes. Then, like a game of street stickball, someone called "Timeout" while a car approached and everyone stopped shooting. This turned out to be The Governor's big move, and soon a truck busted through the gates untouched and everyone grabbed a breather instead of shooting at each other, because hey, truck! To be fair, it did look like it could have been an ice cream truck and everyone loves ice cream.

But instead of being filled with frozen dairy products in the shape of Spongebob, it was full of zombies! A lot of zombies! It was like a clown car full of zombie clowns! It was The Trojan Rabbit of Zombies! Perimeter successfully breached, The Governor and his thugs chuckled and went home leaving me puzzled about that plan. Was his intent to drop by, ruin the element of surprise, and leave the zombie apocalypse equivalent of a flaming bag of dog poop on their doorstep as a message? This was a great job for an annoying neighborhood teenager, but for a man bent on squashing the life out of his rivals, I would have put a little more effort into it. I mean, they took YOUR EYE, Governor. That deserves a little more than a slap.

And that's the thing about this climactic scene, it was super cool but did it make a lot of sense? Was this part of a larger plan or did The Governor simply get so mad that he needed to annoy Rick's group immediately? Something feels off about the whole thing if breaking down the gate was The Governor's main objective. Ditto about Daryl and Merle leaving and then quickly coming back, Carol and Axel's talking, and Glenn and Maggie's fight. These things are happening, but to what end? Show me some purpose, The Walking Dead!

"Home" was an incremental improvement over "The Suicide King," but didn't quite pull Season 3 out of the rut it's stuck in. These past two episodes stink of the writers stalling after overloading the front half of Season 3 with the good stuff, and now we're just watching people leave the group and come back, others go crazy or get angry and become problems, and Beth feed a baby. The Walking Dead is pretending that things are happening right now, but really it's just shuffling pieces around the board and hoping the finale gets here sooner.

NOTES

– So Tyreese and Sasha and those other two actually left the premises completely. They'll be back, and I hope something interesting happened to them while they were gone.

– Daryl heard a baby screaming inside a car with closed windows before he heard men shouting and gun shots. Daryl is baby crazy, look out Carol!

– Also, Daryl and Merle should be looting those cars on the bridge instead of getting away as fast as possible because they're in an argument. Am I the only one who wants to survive this thing?

– I think it's time we all accept the fact that a crossbow isn't that great of a weapon in times like these. Daryl had to run around and yank ammo out of dead zombies, reload, and then hope he didn't miss. I'll stick with a flamethrowing missile launcher, thanks.

– The best thing about the episode (excluding all hatchback-related zombie kills) was Bear McCreary's score in the opening scene. We've seen him step up at times with some great pieces, but the overall series score has been so inconsistent that it's very noticeable when his tunes really add to the moment.

– What was happening at Woodbury? Not a whole lot. Andrea walked around looking for The Governor, Milton stammered, and The Governor actually complemented Andrea on her good speech and suggested that she lead the town.

Follow TV.com writer Tim Surette on Twitter if you want to: @TimAtTVDotCom

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Revenge "Sacrifice" Review: The B*tch Had It Coming

Revenge S02E14: "Sacrifice"

Revenge is back, bitches!

After a sophomore slump dogged by silly, tortuous storylines, fatuous characters, and a helpless heroine, the ABC soap delivered a bold, satisfying and shocking mid-season finale last night.

Even the fateful boat catastrophe teased all season had a legit payoff. If the only casualty had been ex-con Nate Ryan, star of the season's most boring subplot, I probably would've tuned out forever.

But Revenge had something else up its sleeve (besides Nate's severed arm!): the death of Amanda Clarke!

With melodramatic perfection, Fauxmanda uttered her last words in her alter ego's arms before slipping into the sea. The scene was so reminiscent of Jack Dawson's tragic fate in Titanic that I'm surprised Celine Dion didn't provide the soundtrack.

Victoria Grayson said it best: "The bitch had it coming."

I feel that way about Fauxmanda, but Victoria was really referring to the Initiative's Helen Crowley, whom she shot dead last week. Tonight she was positively purring when she donned her victim's clothes, briefly assumed her identity, and later used her possessions to incriminate "that vicious opportunist" Amanda Clarke.

Victoria saved her finest performance for Daniel's office, hamming up her outrage at Helen's dastardly deeds for the Initiative's video surveillance cameras. Her victorious secret smile as she stormed out was classic Victoria Grayson.

Even Conrad got his groove back, announcing his gubernatorial candidacy at the Graysons' annual Labor Day bash. Only this year, Emily Thorne was too busy navigating the high seas to join in their celebration.

After looking at one of the wedding photos, eagle-eyed Emily realized that Nate had concealed himself as a stowaway aboard Jack's boat, and she enlisted Nolan to help her rescue the honeymooners.

Bonus points for this episode's brisk pacing and intricate plot points. Even Aiden and Padma, usually irritating characters, enjoyed an exciting scene. With Aiden's encouragement, she demanded proof that her kidnapped father was still alive. Trask, Helen's Initiative stand-in, was happy to oblige, delivering daddy's finger in a neat package.

Still, The Amanda crew provided most of the action. Everyone except Jack, who spent most of the time whimpering.

C'mon, son! Have you no dignity? At least the sorry barkeep managed to release the lifeboat before Nate shot him. Instead of escaping with her injured groom, the new bride stayed aboard to finish off Nate. Or something.

No worries: Nomily to the rescue! Thanks to Declan's laptop, Ems and Nolan had a Skype-row seat to the thrilling events! Using their high-powered binoculars to find the gravely injured Jack, Nolan agreed to rush him to the hospital while Emily took off in the lifeboat after Fauxmanda.

All aboard, Cap'n Emily! Tag-teamed by the juvie girls, Nate ended up shot and half-submerged in the flooded cabin with gas streaming from the ship's propane tank. But just as the sisters in crime were about to escape in the lifeboat, Faxumanda turned back to retrieve her necklace. You know, the one her BFF gave her when they first switched identities.

Fauxmanda glanced in the cabin just in time to see Nate flick his Bic. Bravo, sir! Mad appreciation for a bitter dying man with a sense of humor.

Anyway, boom! While Nate's various body parts sunk with the wreckage, Fauxmanda surfaced just long enough to expire in Emily's arms. Thanks to Emily VanCamp's A+ weeping, Fauxmanda's death was moving and poignant, even while "My Heart Will Go On" sounded in my head as she slipped into the water.

I, for one, am not going to miss Fauxmanda. She reminded me too much of Faith, my least favorite character on Buffy, and her Amanda served as a constant reminder of Emily's failure. Hopefully, our heroine can now focus on what she does best: exacting revenge. It's time that girl bought a new Sharpie and put it to work!

QUESTIONS

1. Are you going to miss Fauxmanda?

2. Do you wish Jack shared his bride's watery grave?

3. Where do you think Fauxmanda stashed Em's computer?

4. Will grief and anger add new dimensions to Jack's character, or will he be more insufferably sad and pathetic than ever?

5. What dastardly scheme does Emily have in store for Charlotte? More diaper duty?


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