Showing posts with label Character. Show all posts
Showing posts with label Character. Show all posts

Arrow "Unfinished Business" Review: Character Turns Ahead

Arrow S01E19: "Unfinished Business"

Oliver confronts the Count

"Unfinished Business" was perhaps less about things left unfinished—though that was certainly a running thing—than about the episode's other repeated theme: "People can change." Sadly, such changes don't always play out as well as they should, or as consistently.

The inciting incident for everything that happened this week was a new form of Vertigo flooding the streets, resulting in the death of a woman who was at Verdant, and supposedly picked up the drugs there. It put Oliver onto the Count's case and it also ended up putting Quentin and Oliver onto Tommy's case, as both suspected Tommy of dealing drugs in the club, a notion made even more compelling after the discovery that $10,000 was missing from Verdant's books.

Oliver looks at the County

Oliver hunting down the Vertigo stuff was pretty fine, so far as that sort of thing goes. As before, when the show has executed it well, the investigative nature of the case was nicely worked out, from Diggle buying the drugs ("Person of color has successfully purchased your drugs.") to following those drugs around the city in the hopes of finding someone who was going to lead them back to whoever was producing the new Vertigo, and later checking toxicology reports of victims. It had clues, it had dead ends, and so it felt like something resembling an investigation.  There were a couple of nice set pieces, including the scenes at the docks and the aquarium, though I wish the latter had remained in the actual aquarium as opposed to the behind-the-tanks pipe world. It was so much less visually interesting than a strung-out dude with a gun in front of thousands of gallons of fish.

The problem with the Vertigo plot, sadly, was that the conclusion was telegraphed as soon as Quentin arrived in the asylum. The orderly looked decidedly shifty and glance-y at Quentin and the Count's doctor as they went up the stairs in like the third or fourth scene of the episode. "Ah," I said. "The orderly's the one making the new drugs." The extra oversold it, and the direction lingered on him too long. So, mostly I was waiting for them to circle back to the asylum the entire episode, and while I sort of enjoyed the fact that the doctor got to indulge in a little monologuing, I still ended up pretty bored with the overall approach to the case.

The Count in his room in the asylum

The bait-and-switch with the Count and his doctor did prove useful as a character moment for Oliver, though, as he decided not to kill the Count, even after leveling multiple arrows at the madman. Mercy stayed Oliver's bow (just like it did against the Vertigo user in the aquarium) as the realization dawned on Oliver that in the Count's current state, "there didn't seem to be a point" in taking his life. It's something we might've been looking for in the Savior's final moments last week, a chance for the Glades' avenger to redeem himself, but at least it shows some movement on Oliver's morality needle. People don't always fail the city, and not everyone deserves an arrow through the jugular.

However, Tommy was probably wishing he had received an arrow through the jugular in this episode. No one believed that he wasn't dealing drugs in the club, even though he did bribe a city official to forego the building inspection to protect the Arrow Cave. So, just for the record: not dealing drugs but protecting a vigilante who used to be his best friend. It wasn't enough to spare Tommy from other people's horrible attitudes.

Quentin's response to Tommy I totally understood, and I imagine that on some level, even Tommy understood it. And I dug how it affected him and his fears over it causing another divide between him Laurel. The show hasn't handled Quentin super-well, but but he seems to have found something like a grip on his character, and the writers are following through with it, and I can appreciate that. He's even drinking soda instead of soda with alcohol, so hurrah!

Oliver and Tommy in the club

But what made things fell apart for me was Tommy's response to Oliver throughout the hour. Tommy's anger and frustration with Oliver is what we should've seen two weeks ago when Helena returned, and instead Tommy didn't show any signs of that. In fact, he was a paragon of understanding of Oliver's plight. Here, Tommy was very frustrated not only with Oliver's betrayal of their friendship, but with Oliver's lack of faith in him. It's the lack of consistency in Tommy's behavior that irks me. His struggle to come to grips with Oliver's vigilante life was never fully dramatized so as to lend this back-and-forth any real weight. And none of this is Colin Donnell's fault. His performance in this episode was very strong, just as it was he was sort of being understanding about Oliver's life two episodes ago. It's just haphazard writing and character plotting.

It's possible for a person to snap and have a bad day, and for a confluence of events, like the ones that happened here, to lead to rash decisions. But there's a difference between a person and a character with an arc on a serialized television series, and it makes all the difference when that arc feels truncated. Tommy was probably always going to end up at Malcolm's side somehow or another, and the tensions between him and Oliver were likely going to drive him there. The events in this episode did feel like a justifiable reason—he bribed a city official and then turned the Arrow Cave into a storage area ALL TO PROTECT OLIVER, and Oliver was being a jackass about it—but the small hiccup in the journey to get there sort of made the whole thing feel rushed.

Oliver draws his bow

In actual viewing pleasures, Diggle received some non-Arrow Cave love this week. It seems like things with Carly are progressing well enough, but also like he's very much weighed down by Deadshot still being alive. While it's all very much a set-up for the next new episode, I appreciate that Diggle not only got some time to do stuff on his own, but that his plans put him into a slight conflict with Oliver. They're partners, yes, but it's Oliver's mission that takes priority. Oliver at least realized the error of this attitude, and decided to make Deadshot a priority. It'll be interesting to see how Diggle's "kill only with necessary cause" mindset comes into play when presented with the opportunity to confront his brother's killer again.

NOTES & QUOTES

Shado training Oliver

– On the island this week, Shado began her Mr. Miyagi-esque training of Oliver by having him slap water ("We're almost out of slapping water."). It strengthened his arm enough so that he could draw the bow without hurting himself. But it put Oliver another step closer to becoming who he is today. It also clearly means I've been wasting my time lifting weights.

– "Oh, good, you're here. Of course you're here. You clearly love it down here."

– Casual name-dropping of A.R.G.U.S., the organization that employs Lyla, Diggle's contact (and the same contact from last week's Arrow digital comic, by the way). In the comics, A.R.G.U.S stands for Advanced Research Group Uniting Superhumans and was, among other things, the liaison group between the U.S. government and the Justice League. Now they've formed their own Justice League of America headed up by Steve Trevor. Who knows what the hell the group is here, other than a massive intelligence operation. Although I do sort of love the idea of Steve Trevor showing up on Arrow.  *Update*: As Gislef kindly pointed out, in Arrow A.R.G.U.S stands for Advanced Research Group United Support per producer Marc Guggenheim in a tweet.

– "Clear." 

– "I doubt you could aim a single arrow." And Oliver couldn't. So he aimed three arrows. One for each of the doctors he was probably seeing.

– Speaking of arrows, there was an uptick in the novelty arrows this week. Explosive-tipped arrows, explosive-with-a-trigger-on-the-outfit arrows, and medicinal herb concoction-injecting arrows. Boxing glove or buzz-saw arrow by the finale!

– "Looks like I'm the last one standing. Sitting. Spinning. Something to do. What was I going to do? Memory not what it once was. Nothing what it once was. Is there a name on the gravestone? No. It's new. And clean. And waiting." Seth Gabel had a lot of fun with the Count. I'm hopeful that the Count somehow achieves a degree of rehabilitation and comes back to haunt everyone again.

– Arrow's taking the next two weeks off, so it'll be back on April 24. After that, it'll have an uninterrupted run all the way to the finale on May 15.

What'd you think of "Unfinished Business"?



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Quick Question: What Are This Year's Best TV Character Halloween Costumes?

With the very best holiday ever fast approaching (take a hike, Arbor Day/Grandparents Day!), it's time to start thinking seriously about what costume to wear this Halloween. Luckily, from drama to comedy to reality and beyond (...not that much beyond), television offers a plethora of excellent choices. Let's take a look:


This October 31st, why not be "the one who knocks" ...on doors for treats that is! At this point there are enough versions of Albuquerque's finest Chukka-booted drug lord to rival elements in the periodic table, but if we're talking just this past season, then fans have a few main iterations to choose from:

1. The flashforwarded, 52-year-old, scruffy-hair-having, black-frames Walt

2. The behatted, growly-ass Heisenberg Walt

3. The always welcome chemical-suit-and-facemask, "up in the cook," "Mr. White" Walt.

Whichever you pick, here's a tip: Instead of gluing on a fake goatee, just heat up a bag of fun-sized Three Musketeers in the microwave for about 22 seconds, stir the gooey contents in a bowl, sit on your hands, and consume that nougaty mix faster than an alley tweaker on a blue-hot bender. Instant facial hair!


All Hallow's Eve is the perfect time to be a fake person/creature/idea AND get political. Why not do some of that, and hit the streets as Homeland's Carrie Mathison. Simply slap on a pant suit, plug a finger in your ear, and stare down everyone in the vicinity like they are a secret terrorist (ESPECIALLY folks dressed as M&Ms;). For added realism, phone in an actual bomb threat to the same party you are at, then keep your cool while others scramble for safety. Stand on the couch and announce "remain calm citizens, I found the bomb: it's... ME!" If the host doesn't make you leave, then sidle up to the oldest person with a beard and whisper "That was a close one, Saul. That was a close one." (WARNING: You may never be invited to things again).


This quirksotic gal is a great choice for those who can only afford thrift-store costumes, OR for boring mainstream sorts looking for an excuse to get bangs/dress "indie." Either way Jess from New Girl is a simple charmer sure to please the room. IMPORTANT: The key to a convincing Jessica Day is her stunning peepers, however one should NEVER purchase used cosmetic contact lenses from any sort of thrift store, or person standing by a car, in order to change one's eye color—even if the lenses have been sterilized by soaking them in a glass of water that is sitting in the sun (beware eye fleas). Also, it is imperative to monitor one's adorkable levels throughout the night. If you find your head jammed inside a trick-or-treat pillowcase singing made up songs to candy, know that adorkability has reached dangerous levels and it is time to go home and draw a bath. Just remember to wash the towels!


Or how about "Honey Boo Boo" from the critically acclaimed Here Comes Honey Boo Boo? Ah, the diabetic cheeks that launched a thousand eyeballs (at the TV) and captured the heart of a rubber-necking nation. This charismatic pageant competitor/adorable victim of circumstance (nee Alana Thompson) is Halloween incarnate: flashy outfits, a biological make-up that is mostly sugar, and a day-to-day existence mirroring the unchecked wildness of the holiday. Plus, her nickname already has ghost words in it ("Boo!"). Simply whip up a bottle of "Go-Go Juice" (Mountain Dew and Red Bull), spray down a ballerina tutu with gold paint, pop on a sparkly cowgirl hat, and strut the streets like your parents lost track of your whereabouts five hours ago while eating Domino's Brownie Squares and "sketti."


Of course, no list would be complete without a costume option that is just scary as crap. Enter this dope-looking prison zombie from The Walking Dead's Season 3 premiere. All this nasty number takes is some prison blues and artfully applied neck gunk (like food-jelly). Do you know someone from prison? Are you allowed to buy strawberry jam? If not it's cool: just march into your nearest Lucky's supermarket and shoplift some fruity preserves, rub the stuff on your neck, then get arrested for said shoplifting. Go through the penal system and receive a free haircut (like this zombie), making sure to never wash off your fake wound. If necessary, lie about the neck-berries and say it is wet eczema. When the glorious day comes for your release, check the box that says "Yes, Would Like to Keep Prison Clothes Please" on the exit forms. Hopefully it is still Halloween when this happens and your made-up gash is still intact. If not, maybe a real zombie apocalypse has occured and you will have bigger things to worry about.


So gang, what TV character do YOU think will make the best Halloween costume this year?


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SNL: Daniel Craig the Closeted Character Actor!

Saturday Night Live S38E03: "Daniel Craig and Muse"

When it comes to picking SNL hosts, Lorne Michaels has always made a point of extending invitations to a cross-section of "types," from comedians (Will Ferrell, Melissa McCarthy) to tabloid stars (Taylor Lautner, Lindsay Lohan) to, you know, just whomever the crew wanted to hang out with for a week (Eli Manning, Mick Jagger). But as much as we all enjoy the hosts who are funny by trade, I think my favorite hosts are the dramatic actors. Obviously it's a kick to see serious actors put on silly wigs and behave foolishly for 90 minutes, but they also make great hosts for the simple reason that many of them are GOOD ACTORS. Maybe it's a result of their years of doing Shakespeare at royal academies or maybe they've just grown so tired of their day jobs, but most of these very serious thespians seem to give SNL 110 percent, and that's the kind of commitment this show needs more of, quite frankly. People who don't simply stare vacantly while reading cue cards, but rather take the time to memorize their lines and actually bring distinct characterizations to the sketches. This week, erstwhile serious actor Daniel "Bond James Bond" Craig arrived at Studio 8H for a very fun time indeed, guv'nuh! And he was great. Fully clothed, yet great. Let's talk about it!

[Apologies to international readers for these embedded clips, Hulu can be a bit of a jerk.]

As is tradition during the run-up to a presidential election, this cold open had to do with whatever the candidates were up to this week. In this case it was a debate. I am not an expert political analyst, but the joke seemed to be that Obama was distracted by myriad things and therefore didn't do well in the debate. I'm just guessing, I don't know if that was true or not! But as much as I don't love the political sketches, this one was good for at least a few chuckles, especially the cutaways to real footage of Michelle Obama looking unhappy, and also Jason Sudeikis-as-Romney's vacant stare during Jay Pharoah-as-Obama's speeches. I'm not sure the sketch needed to be 35 minutes long, but still. Good job!

As of press time this sketch was not available online, probably due to its use of "What a Wonderful World" and also clips from various Daniel Craig films in which he killed people. In fact, that's what this was: Daniel Craig presenting an In Memoriam-style tribute to all the people he'd killed, including misnamed extras, a dog, and a sound guy (in real life). I especially liked the weird asides, like Daniel Craig insisting that "What a Wonderful World" was his favorite song but that he didn't know its title and could somebody please Shazam it for him? Also when he grew concerned about whether there was too much fake fog onstage. I already liked Daniel Craig, but I really liked Daniel Craig here.

This sketch had one joke: A construction worker was terrible at sexual innuendo. But while his attempted sexy jokes were amusingly ridiculous, it was Daniel Craig's commitment to his wiseguy persona/accent that really entertained me. See what I'm saying about serious actors going for broke? I like it.

This was a classic SNL-actors-doing-impressions-of-celebrities showcase and in my opinion it was one of the best they've done in a while. Lea Michele, Diane Keaton, Molly Ringwald: All of them were in lesser-known Bond films! (It made me laugh that a Bond film could be "lesser known.") But Kate MacKinnon's Ellen Degeneres was truly amazing and obviously Fred Armisen's Penny Marshall was hilarious too. We probably knew to expect a Bond parody, but I appreciated how Bond himself was beside the point in this sketch. Also: Quantum of Leap is a movie I REALLY wish had been made instead of Quantum of Solace.

Here was another politically oriented sketch which was about MSNBC's lefty commentators processing an unstellar performance by President Obama during last Wednesday's debate. Chris Matthews likes to shout, Rachel Maddow takes cheap shots, the conservative lady is boring. That type of thing. But I will never grow tired of Kenan Thompson's Al Sharpton impression, especially when he's describing something called "altitude poisoning" and insisting that Hawaii is "a mile below the Earth." Love that guy. (Kenan Thompson.)

This was a weirdly not-at-all timely parody of TLC's Long Island Medium series, but it did afford us another chance to see how great Kate MacKinnon is. Her impression was pretty solid and I also loved the jokes about how everyone bursts out sobbing whenever she tells them about their dead relatives. And the whole room full of people whose grandfathers choked to death on a "meatball parm." And I don't know how to break it to you, but Daniel Craig's Long Island makeover (complete with soul patch) made me feel funny. I don't know, it just kind of worked, you know?

"Mars Mission" was the sort of sketch that bored me at first, but by the end I loved it. After it took that turn where the lead character (Bobby Moynihan) began freaking out and screaming about his supposedly dead kitten, I was on board. But then throw a REAL KITTEN into the mix? Of course I loved this sketch. I am not a monster.

There is a chance I haven't heard a Muse song that I've liked since "Starlight," but this one came close. First of all, that bass guitarist had an iPad embedded into his bass guitar! The future! But also this song was understated (by Muse standards—there was still a guitar solo and screaming) and downright lovely. I liked it. Congratulations, Kate Hudson.

Seth Meyers, everybody.

Seth Meyers, everybody.

Well, who doesn't love Big Bird? I was kiiiinda hoping there'd be a more eloquent plea for PBS's continued funding, but oh well. It's Big Bird!

Okay, this was just incredible. Kate MacKinnon is officially SNL's new leading lady (time to retire that "and featuring" designation, right, Lorne Michaels?). Man, this made me laugh. The conceit was that the Jesus-ruining elderly Spanish artist had intentionally painted him that way because when he came to her in a dream, that's how he looked. "I said 'Jesus, why you look like a shark?' And Jesus say, 'I think it look cool.'" So good.

This sketch—a parody of a BBC working-class comedy—was not so much laugh-out-loud funny as it was a fairly brutal takedown of the BBC sensibility. From the disgusting-sounding British cuisine to the homely-love-interest-as-added-insult to the blue-collar wallowing, this sketch both felt like a real show that might exist and more importantly a show I would ignore when it eventually aired on BBC America. Great job?

I enjoyed this sketch, mostly because it played like a live-TV version of Portlandia. Fred Armisen has always made for an unsightly woman, but here his character had the most loathsome, pretentious personality imaginable. Because the segment had to do with a man's new girlfriend making a terrible first impression on his friends, I couldn't help but wonder if whoever wrote this sketch was basing it on a real situation. You know? It just felt like it was coming from a place of righteous anger, and that might be why it worked so well. People can be awful!

This performance was much more like the Muse I'd come to know: Simultaneously over-the-top AND boring. And here everyone was so scared that the new Muse album would contain too much dubstep, but did anyone pause to wonder if there'd also be too much funk guitar? Because there apparently is! Sorry, Kate Hudson.

For whatever reason SNL skipped the new sketch they had in waiting and just re-aired this (admittedly fantastic) fake ad from a few weeks ago. No complaint here! It made me laugh all over again.

So there you have it, folks. Another solid entry in what's shaping up to be a very solid season of SNL. One of the world's most recognizable and handsome leading men fell in with the cast like just another excitable weirdo. Daniel Craig's performances were both fun and non-showy, like all those years of stolid leading-man drudgery were leaving him antsy to just be silly for a few hours. It worked! Who knows, maybe he should even make a comedy sometime?

How did YOU think Daniel Craig fared? And what was your favorite sketch of the night?


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