Showing posts with label Editors. Show all posts
Showing posts with label Editors. Show all posts

Community's Top 5 Episodes: See Our Editors' Picks and Vote for Your Favorites!

If you follow the Greendale Community College Calendar, October 19 is just around the corner and classes resume later this week. If you follow a boring "regular" calendar, Thursday, February 7 is the day you should be circling, as that's when one of television's most creative sitcoms, Community, returns for Season 4.

Look, I don't want to be a harbinger of gloom, but there's a Fat Neil-sized chance that we may have seen Community's best days, what with all the firings and quittings and behind-the-scenes drama. So before we look toward the future, we've decided to relive the past by asking our resident Community fans to name their favorite five episodes. The most common response? "ONLY FIVE?!?!?" Sorry guys, I wanted to include "Introduction to Statistics," too.

You'll find our personal picks below, but we also want to know which Community episodes are YOUR list of five—so get to clicking on the poll at the bottom of the page and share your rankings the comments!

Cory Barker | Favorite Character: Britta Perry

5. "Paradigms of Human Memory" (S2E21)
4. "Intermediate Documentary Filmmaking" (S02E16)
3. "Cooperative Calligraphy" (S2E08)
2. "Mixology Certification" (S2E10)
1. "Remedial Chaos Theory" (S3E04)

Community is known for its high-concept "theme" episodes, but when the show truly thrives is when it merges big conceptual ideas with grounded emotional beats. No episode has achieved that combo more than Season 3's "Remedial Chaos Theory," the one that used Yahtzee and seven different timelines to tell a wonderful story about each character's role within the group. The episode brought us seminal Community gags and touchstones like the darkest timeline, felt goatees, and the Norwegian troll, but it also reminded us that Troy is sneakily the glue holding the group together and that Jeff, despite his affection for these misfits, still can't fully let go of being Winger-cool. —Cory

Nick Campbell | Favorite Character: Abed Nadir

5. "The Psychology of Letting Go" (S2E03)
4. "Advanced Dungeons and Dragons" (S2E14)
3. "Basic Lupine Urology" (S3E17)
2. "Aerodynamics of Gender" (S2E07)
1. "Remedial Chaos Theory" (S3E04)

So often the perks of being a wallflower are undermined by a culture that exalts the might of the extrovert (except, I would imagine, in that book The Perks of Being a Wallflower). That's complicated even more by a world that doesn't necessarily understand the symptoms (if not the official diagnosis) of someone who's far closer to Rain Man on the autistic spectrum. In media, they're either treated like fragile mutants of society (like Max Braverman on Parenthood) or punchlines in absurdity as folks that don't play by the rules of civility (Sheldon from The Big Bang Theory). What's great about "Aerodynamics of Gender" is that Abed has magical powers in his stockpiles of observed minutiae, just begging to take form in snaps until he learns his wizardry is more evil than good. Abed is a human being who learns a lesson and not just some quirky sidekick character that never changes. Also, every cutdown Abed has is GOLD. Also also: boys on trampolines! —Nick

Andy Daglas | Favorite Character: Leonard

5. "Accounting for Lawyers" (S2E03)
4. "Introduction to Finality" (S3E22)
3. "Critical Film Studies" (S2E19)
2. "Contemporary American Poultry" (S1E21)
1. "Conspiracy Theories and Interior Design" (S2E09)

From the title to the almost-plaintive echo of the fan-adopted hashtag #sixseasonsandamovie at the very end of the episode, everything about "Introduction to Finality" seems resigned to its destiny as an unintentional series finale. The Season 3 capper did at least spell the end of the era for creator/showrunner Dan Harmon, and the spirit of both closure and promise animating its events makes it one of the series' most emotionally gratifying installments. Community (in particular Season 3) occasionally went to some dark places, exploring the recesses of insecurity and selfishness that underly our need for companionship. But "Introduction to Finality" ultimately decides that our better angels can win out over the cold, frightful versions of ourselves from the darkest timeline. It's warped, chipper, cynical, and humanist, and it will serve as a fitting coda to the show we've loved, should Season 4 fall short. —Andy

Noel Kirkpatrick | Favorite Character: Britta Perry

5. "Modern Warfare" (S1E23)
4. "Introduction to Statistics" (S1E07)
3. "Advanced Dungeons and Dragons" (S2E14)
2. "Basic Lupine Urology" (S3E17)
1. "Conspiracy Theories and Interior Design" (S2E09)

The reason "Conspiracy Theories and Interior Design" works so well is that it blends elements of college life—racking up enough credits to graduate; dorm living—with a parody of the conspiracy suspense thriller genre and Community's particular sense of whimsy. The sendup is right on, between Professor Professorson's painfully bad cryptic dialog ("From the lips of a ghost to the shadow of a unicorn's dream."), the chase through the pillow fort as a crowded street (A Latvian independence day parade!), and the confrontation shootout in the study room. Even Annie's off-script confession works, as every conspiracy thriller needs a confession of secrets. All in all, it's a pitch-perfect Community episode.

Tim Surette | Favorite Character: Britta Perry

5. "Contemporary American Poultry" (S1E21)
4. "Cooperative Calligraphy" (S2E08)
3. "Paradigms of Human Memory" (S2E21)
2. "Remedial Chaos Theory" (S3E04)
1. "Advanced Dungeons and Dragons" (S2E14)

Neither a straight parody nor a big stunt, the tale of Fat Neil and the study group playing Dungeons & Dragons is Community at its creative best. The show's standard sets were stretched out with narration from the cleaning lady, sound effects, and pans of hand-drawn maps, proving that Community can go high-concept on a low budget. The laughs were plentiful—Chang's character dying, Annie's seduction of the elf maiden, Abed's dungeon mastering, and Britta trying to raise awareness of the oppression of gnomes—but the episode also had heart and a heavy message in saving the life of a suicidal Fat Neil. —Tim

Jen Trolio | Favorite Character: Troy Barnes

5. "Modern Warfare" (S1E23)
4. "Foosball and Nocturnal Vigilantism" (S3E09)
3. "Mixology Certification" (S2E10)
2. "Paradigms of Human Memory" (S2E21)
1. "Regional Holiday Music" (S3E10)

Aside from the fact that Troy and I share a birthday, what I like about this episode is that it centers on the study group leaving campus and just hanging out. No spoofs, no Dean Pelton-sponsored shenanigans, just everybody going out and getting drunk together on a night when the happy-hour special is apparently 2-for-1 shots of character development. There are so many great moments—Annie (kind of) letting loose as Caroline Decker from Corpus Christi, Texas; Paul F. Tompkins throwing a drink in Abed's face; Jeff and Britta's realization that they've been talking about the same bar all night; the reveal that Shirley used to party hard. The overall atmosphere is one of hanging out at the bar with your own friends, and the episode ends on a sweet note with a nice moment for Troy, who finally gets to step up and be the leader for once. —Jen


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TV.com Editors' Picks: Who WE Think Should Win at the 2012 Emmy Awards


Somewhere, some meathead in a black suit and sunglasses has a suitcase handcuffed to his wrist. In that case are the envelopes containing the names of the shows and actors who will win gold statues at this Sunday's 64th Annual Primetime Emmy Awards. He's willing to give his life and take the lives of others to protect the secrets attached to his person at all costs, lest the Gods of Television strike him down. But to heck with that guy! We're opening up OUR secret suitcase with OUR Emmy winners today!

We cracked the whip on the TV.com editorial staff and forced them at gunpoint held their Fringe and Community DVDs hostage until they revealed their opinions on the most deserving Emmy winners among this year's nominees. The shows and actors spotlighted below may or may not win, but in our minds, they're the ones who SHOULD.


Playing along at home? Make your own picks with our interactive Emmy ballot.


Best Drama Series

And the nominees are...


Last year's winner: Mad Men

Homeland

You think YOU'RE surprised I chose Homeland over Breaking Bad? Not as shocked as I am. We all knew Breaking Bad's fourth season would be awesome (and it was), but Showtime's clever examination of paranoia was more relevant, scary, and powerful than any other series on television last year. Homeland didn't just give us something to think about, it burrowed under our skin and made us dig it out with our fingernails. Combined with Game of Thrones and Breaking Bad, this is one of the best crops of Best Drama nominees we've seen in a long time. —Tim Surette


Our individual picks:


Best Comedy Series
And the nominees are...


Last year's winner: Modern Family

Curb Your Enthusiasm

This year's Best Comedy category is straight-up maddening. As a ticketholder on the Modern Family backlash train (the show is good, but Season 3 was its weakest yet), I'm sad to see it taking a spot that in my mind could've gone to Louie, Parks and Recreation, or Archer. Same goes for repeat nominees 30 Rock and The Big Bang Theory. While I watch and (usually) enjoy all three series, I think others are more deserving of recognition these days. But as my momma always said, "The Emmys aren't fair and at this point, crying over spilt nominees won't help." Girls and Veep both did some great things in their first seasons, but for me, Curb Your Enthusiasm is the clear winner here. Larry David's uncomfortable comedy is brilliant, and Season 8 was outstanding—particularly the "Palestinian Chicken" and "Larry vs. Michael J. Fox" episodes. —Jen Trolio


Our individual picks:


Best Actor in a Drama Series

And the nominees are...


Last year's winner: Kyle Chandler, Friday Night Lights

It may not be particularly exciting or brave to pick frequent Emmy favorite Bryan Cranston in this category, but it was the one category our entire staff agreed on: Give this man another trophy. Season 4 of Breaking Bad found Walter White scrambling: He didn't like his workplace; his wife was onto his double life; he'd turned his protege into a cold-blooded murderer (and enemy); and the clock was ticking until Gus Fring replaced and/or murdered him. That's a lot for one man to deal with and Cranston made us feel every grimace, every twitch, and every cold, calculated stare that transformed Walter White more than ever into his mythological counterpart Heisenberg. It was a thrilling performance in an ongoing transformation that's truly one for the annals of great TV performances. This is the easiest decision of the year: Bryan Cranston for the win. — Price Peterson


Our individual picks:


Best Actress in a Drama Series

And the nominees are...


Last year's winner: Julianna Margulies, The Good Wife

The other five ladies on this ballot were just thrown in because they had to be. This is a lock for Danes, who may still look like Angela Chase but has grown considerably as an actress. Carrie Matheson is a complicated character who does things all the way, and it took an actress willing to completely submerge herself in the role to pull it off. Plus, those crazy eyes! —Tim


Our individual picks:


Best Actor in a Comedy Series

And the nominees are...


Last year's winner: Jim Parsons, The Big Bang Theory

First, let's make it clear that it is RIDICULOUS that Louie isn't nominated for Best Comedy. I've chosen C.K. here more as a lifetime achievement award than for his acting skills, which consist mostly of exasperated looks. But he often adds something to his performance that the other nominees don't: a sense of aching humanity. The others may be well-oiled, bombastic, punchline-reading robots (except for you, Larry David, you're cool), but C.K. has the ability to make his character seem like a real person. —Tim


Our individual picks:


Best Actress in a Comedy Series

And the nominees are...


Last year's winner: Melissa McCarthy, Mike & Molly

Known for years as "Elaine," Julia Louis-Dreyfus never fully escaped the shadow of her iconic Seinfield character until Veep showed us a whole new side of the actress. Although she may get her office in hot water as often as Parks and Recreation's Leslie Knope, Louis-Dreyfus's VP Selina Meyer transcends the "Liz Lemon" trope of a self-effacing lady in power in that she refuses to be self-effacing or take a fall. Meyer has a ruthlessness that gives actual stakes to her entourage's frantic fumblings and machinations. It's all thanks to Louis-Dreyfus's brilliant and consistent portrayal of an unyielding, savvy, powerful politician who still manages to believably, continually embarrass herself (just like politicians in real life!). —Lily Sparks


Our individual picks:


Best Supporting Actor in a Drama Series
And the nominees are...

Last year's winner: Peter Dinklage, Game of Thrones

In a cast loaded with Bryan Cranston, Aaron Paul, and Anna Gunn, who would have predicted that journeyman actor Esposito would get the most accolades in Breaking Bad's fourth season? He didn't just steal scenes from three-time Emmy-winner Cranston, he dominated them. When you think back on Season 4, you think of Gus, not Walter. That's all the argument you need. —Tim

Our individual picks


Best Supporting Actress in a Drama Series
And the nominees are...

Last year's winner: Margo Martindale, Justified

Christina Hendricks is more than a gravity-defying body. For five seasons, her portrayal of sexy, confident, working woman Joan Harris has been a staple on AMC's Mad Men, but this past season has taken Joan to new places both professionally and personally, and Hendricks seamlessly navigated Joan through those changes. From dutiful wife and office manager to determined single mother and SCDP's newest partner, Hendricks let Joan's insecurities and confidence mix perfectly to give us a pragmatist who does what she must to maintain her independence…but doesn't always have to like it. "Mystery Date", "Christmas Waltz" and "The Other Women" all showed off Hendricks' flair for presenting Joan as a character far more complicated than "the sexpot secretary", as well as some delightful chemistry with Don Draper himself, Jon Hamm. —MaryAnn Sleasman

Our personal picks:


Best Supporting Actor in a Comedy Series
And the nominees are...

Last year's winner: Ty Burrell, Modern Family

While Fox's original marketing campaign for New Girl centered around the love-it-or-hate-it "adorkability" of star Zooey Deschanel, those who actually tuned in and watched the thing almost unanimously fell into the "love-him" category when it came to Max Greenfield's Schmidt character. Like most characters on the show, by season's end he'd been given a fleshed-out personality with as many nuances and surprises as a TV character could reasonably afford in a half-hour comedy. Greenfield's fearless performance ran the gamut from extremely dextrous line deliveries to some truly impressive physical humor, but it was his surprising romantic side (with Hannah Simon's Cece) that really sold us. You know someone deserves an Emmy when they steal a show out from under Zooey Deschanel, but Greenfield also deserves one for basically everything else he does as well. Great character; even better actor. — Price

Our individual picks


Best Supporting Actress in a Comedy Series
And the nominees are...

Last year's winner: Julie Bowen, Modern Family

I was torn between Mayim Bialik and Kristen Wiig on this one, but I ultimately chose Bialik because even though I'm not a diehard fan of The Big Bang Theory, she did great things on the show last season. After first appearing as Amy Farrah Fowler in the Season 3 finale, in Season 5 she really found her footing in TBBT's ensemble cast. I almost view her as a Steve Urkel type of character you could easily have popped in for a few episodes and disappeared, but audiences (and Sheldon!) liked her so much that the writers couldn't help but keep her around. And while that may sound like kind of a backhanded compliment, when you think about how much life she's brought to TBBT—now entering its sixth season—it's no small feat. Blossom, you done good. – Jen

Our personal picks:


Who among the nominated shows and actors do you think should take home an Emmy this weekend?


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