Showing posts with label Episodes. Show all posts
Showing posts with label Episodes. Show all posts

Community's Top 5 Episodes: See Our Editors' Picks and Vote for Your Favorites!

If you follow the Greendale Community College Calendar, October 19 is just around the corner and classes resume later this week. If you follow a boring "regular" calendar, Thursday, February 7 is the day you should be circling, as that's when one of television's most creative sitcoms, Community, returns for Season 4.

Look, I don't want to be a harbinger of gloom, but there's a Fat Neil-sized chance that we may have seen Community's best days, what with all the firings and quittings and behind-the-scenes drama. So before we look toward the future, we've decided to relive the past by asking our resident Community fans to name their favorite five episodes. The most common response? "ONLY FIVE?!?!?" Sorry guys, I wanted to include "Introduction to Statistics," too.

You'll find our personal picks below, but we also want to know which Community episodes are YOUR list of five—so get to clicking on the poll at the bottom of the page and share your rankings the comments!

Cory Barker | Favorite Character: Britta Perry

5. "Paradigms of Human Memory" (S2E21)
4. "Intermediate Documentary Filmmaking" (S02E16)
3. "Cooperative Calligraphy" (S2E08)
2. "Mixology Certification" (S2E10)
1. "Remedial Chaos Theory" (S3E04)

Community is known for its high-concept "theme" episodes, but when the show truly thrives is when it merges big conceptual ideas with grounded emotional beats. No episode has achieved that combo more than Season 3's "Remedial Chaos Theory," the one that used Yahtzee and seven different timelines to tell a wonderful story about each character's role within the group. The episode brought us seminal Community gags and touchstones like the darkest timeline, felt goatees, and the Norwegian troll, but it also reminded us that Troy is sneakily the glue holding the group together and that Jeff, despite his affection for these misfits, still can't fully let go of being Winger-cool. —Cory

Nick Campbell | Favorite Character: Abed Nadir

5. "The Psychology of Letting Go" (S2E03)
4. "Advanced Dungeons and Dragons" (S2E14)
3. "Basic Lupine Urology" (S3E17)
2. "Aerodynamics of Gender" (S2E07)
1. "Remedial Chaos Theory" (S3E04)

So often the perks of being a wallflower are undermined by a culture that exalts the might of the extrovert (except, I would imagine, in that book The Perks of Being a Wallflower). That's complicated even more by a world that doesn't necessarily understand the symptoms (if not the official diagnosis) of someone who's far closer to Rain Man on the autistic spectrum. In media, they're either treated like fragile mutants of society (like Max Braverman on Parenthood) or punchlines in absurdity as folks that don't play by the rules of civility (Sheldon from The Big Bang Theory). What's great about "Aerodynamics of Gender" is that Abed has magical powers in his stockpiles of observed minutiae, just begging to take form in snaps until he learns his wizardry is more evil than good. Abed is a human being who learns a lesson and not just some quirky sidekick character that never changes. Also, every cutdown Abed has is GOLD. Also also: boys on trampolines! —Nick

Andy Daglas | Favorite Character: Leonard

5. "Accounting for Lawyers" (S2E03)
4. "Introduction to Finality" (S3E22)
3. "Critical Film Studies" (S2E19)
2. "Contemporary American Poultry" (S1E21)
1. "Conspiracy Theories and Interior Design" (S2E09)

From the title to the almost-plaintive echo of the fan-adopted hashtag #sixseasonsandamovie at the very end of the episode, everything about "Introduction to Finality" seems resigned to its destiny as an unintentional series finale. The Season 3 capper did at least spell the end of the era for creator/showrunner Dan Harmon, and the spirit of both closure and promise animating its events makes it one of the series' most emotionally gratifying installments. Community (in particular Season 3) occasionally went to some dark places, exploring the recesses of insecurity and selfishness that underly our need for companionship. But "Introduction to Finality" ultimately decides that our better angels can win out over the cold, frightful versions of ourselves from the darkest timeline. It's warped, chipper, cynical, and humanist, and it will serve as a fitting coda to the show we've loved, should Season 4 fall short. —Andy

Noel Kirkpatrick | Favorite Character: Britta Perry

5. "Modern Warfare" (S1E23)
4. "Introduction to Statistics" (S1E07)
3. "Advanced Dungeons and Dragons" (S2E14)
2. "Basic Lupine Urology" (S3E17)
1. "Conspiracy Theories and Interior Design" (S2E09)

The reason "Conspiracy Theories and Interior Design" works so well is that it blends elements of college life—racking up enough credits to graduate; dorm living—with a parody of the conspiracy suspense thriller genre and Community's particular sense of whimsy. The sendup is right on, between Professor Professorson's painfully bad cryptic dialog ("From the lips of a ghost to the shadow of a unicorn's dream."), the chase through the pillow fort as a crowded street (A Latvian independence day parade!), and the confrontation shootout in the study room. Even Annie's off-script confession works, as every conspiracy thriller needs a confession of secrets. All in all, it's a pitch-perfect Community episode.

Tim Surette | Favorite Character: Britta Perry

5. "Contemporary American Poultry" (S1E21)
4. "Cooperative Calligraphy" (S2E08)
3. "Paradigms of Human Memory" (S2E21)
2. "Remedial Chaos Theory" (S3E04)
1. "Advanced Dungeons and Dragons" (S2E14)

Neither a straight parody nor a big stunt, the tale of Fat Neil and the study group playing Dungeons & Dragons is Community at its creative best. The show's standard sets were stretched out with narration from the cleaning lady, sound effects, and pans of hand-drawn maps, proving that Community can go high-concept on a low budget. The laughs were plentiful—Chang's character dying, Annie's seduction of the elf maiden, Abed's dungeon mastering, and Britta trying to raise awareness of the oppression of gnomes—but the episode also had heart and a heavy message in saving the life of a suicidal Fat Neil. —Tim

Jen Trolio | Favorite Character: Troy Barnes

5. "Modern Warfare" (S1E23)
4. "Foosball and Nocturnal Vigilantism" (S3E09)
3. "Mixology Certification" (S2E10)
2. "Paradigms of Human Memory" (S2E21)
1. "Regional Holiday Music" (S3E10)

Aside from the fact that Troy and I share a birthday, what I like about this episode is that it centers on the study group leaving campus and just hanging out. No spoofs, no Dean Pelton-sponsored shenanigans, just everybody going out and getting drunk together on a night when the happy-hour special is apparently 2-for-1 shots of character development. There are so many great moments—Annie (kind of) letting loose as Caroline Decker from Corpus Christi, Texas; Paul F. Tompkins throwing a drink in Abed's face; Jeff and Britta's realization that they've been talking about the same bar all night; the reveal that Shirley used to party hard. The overall atmosphere is one of hanging out at the bar with your own friends, and the episode ends on a sweet note with a nice moment for Troy, who finally gets to step up and be the leader for once. —Jen


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First Cancellation of the Season! CBS Pulls Made In Jersey After Two Episodes

First the Nets leave New Jersey, then Jersey Shore returns to disappointing ratings, and now CBS's Made in Jersey has been canceled. Jersey Pride is taking a beating.

CBS has made the first awkward phone call of the 2012 fall season, pulling Made in Jersey from its schedule effective immediately. The legal drama about a street-smart lawyer from New York's jealous cousin has been airing on Friday nights at 9pm; last Friday marked the series' second episode. Made in Jersey actually won the hour in total viewers with its last episode by drawing 6.78 million viewers. But it still had that CBS problem and finished fourth with just a 0.8 rating in the adult demo. Hey, at least it beat a Hart of Dixie repeat!

This bloodshed is the first of what has been a kinder, gentler opening month of the new fall season. Five shows (NBC's Go On, The New Normal, and Revolution and Fox's The Mindy Project and Ben and Kate) have all been given full-season orders.

Made in Jersey's 9pm timeslot will go to CSI: NY, which slides back an hour from hour. Undercover Boss will take over the vacated Friday-at-8pm slot when it returns for Season 4 on November 2.

If you're participating in our Dead Pool, this news is a bit of an upset—Friday shows are usually given a longer leash, as poor ratings come with the territory. Made in Jersey will be worth 11 points (two episodes aired, so it's 13 – 2 = 11). No, I did not have it as one of my picks and I'm pretty bummed about it. But now it's so obvious! Arghhhh! I mean, CBS let A Gifted Man rot for months before it got canceled in the same time slot last year!

Other shows that are likely candidates for cancellation include Fox's The Mob Doctor, CBS's Partners, and NBC's Guys With Kids.


Did anyone here watch Made in Jersey?


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Misfits Season 2, Episodes 1 and 2: Simon, Interrupted / Brother from Another Mother

Misfits S01E02 & S02E02: "One" & "Two"

Editor's Note: Hey everyone! Logo has started airing Misfits again on Thursdays here in the U.S. (and they episodes are all on Hulu anyway), but we've been a little bogged down with fall premieres and unable to get these reviews posted. And be "we've," I mean *I* have been a little bogged down with fall premieres, and even though MaryAnn wrote these reviews over the last two Thursdays, *I* wasn't able to get them posted. So here they are now, and we'll return to a regular schedule of weekly Mistfits reviews next week! — Jen


A mysterious note sent via paper airplane (clever!) had our gang gathering around not-so-dead Nathan's grave just in time for Kelly to overhear him wanking off in his coffin because he's classy like that. Also, being buried alive probably gets really boring after awhile when you're immortal. That's why vampires always end up out of their minds after a couple decades underground, right? And I'm talking about Anne Rice vampires, not the sparkly ones. I'm also possibly talking about the Being Human vampires, but I'm pretty sure Suren was nuts before Mommy Dearest locked her up a few decades, so she might not count.

Anyway, Nathan was eventually freed from his grave, went home to visit his mother, and apparently shocked her so badly that she fainted and knocked a few teeth loose. I guess that means he'll continue to be homeless in the community center for the foreseeable future, then?

Catching up with the other ASBO kids, we learned that Simon is still pining for Sally the Corpse Bride, Kelly is really bummed about her almost-boyfriend getting impaled in the Season 1 finale, aaaand Curtis and Alisha are still the golden couple. With Sally on ice, Simon and the others have yet another probation officer, but at least this time he's full of dry sarcasm and general crotchety awesomeness. The third time's the charm, though, and someone—Sally's friend at the police station—has finally noticed the alarming frequency with which this particular ASBO group's probation officers seem to disappear.

The gang's new probation officer made them hang out in an art therapy class where Nathan made the mistake of mocking one of the girls, Lucy, and Simon made the mistake of pretending he didn't spend some quality time with her in a psych ward before landing his community service gig. So I wasn't at all surprised when Alisha appeared to come on to Simon. I mean, I was surprised, but I didn't think for a second that it was actually her, especially after her lips touched Simon's danger zone and he didn't go crazy with superpowered lust. It's all in the details, kids.

However, Simon didn't catch that minor detail and as though it was the blow job that blew his mind (and knowing Simon, it probably was), Simon decided to bury Sally once and for all.

Then everything got a little bit crazy. Stories with shape shifters tend to do that. Still rocking Alisha's face, Lucy went to Curtis and accused Simon of beating her up. Curtis was, understandably, not happy about that and intercepted Simon as he was moving Sally's corpse. Simon protested, saying that he didn't beat Alisha up, but that she totally went down on him, shifting Curtis's ire to his ladyfriend. Lucy's machinations started to fall apart when the real Alisha showed up completely unharmed and insisted that not only did she not hook up with Simon, but he didn't punch her either... by which time Lucy had morphed into Nathan.

Oh, and everyone found out about Sally the Dead Probation Officer. It was a bonding experience, though. Hiding a dead body tends to bring people together, for better or for worse. Usually worse. The realization that Lucy was rocking her Nathan costume and suddenly knew all about the pile of dead probation officers led to, well, ultimately another dead probation officer. But Curtis fixed that. "If I could tuuuuurn back tiiii-ime..." Yup, I'm still singing Cher to myself every time C-dog does this thing.

Lucy impaled Nathan, but now that we know he'll be fine my reaction was more LOL than OMG.

Letting all her crazy hang out, Lucy finally donned Simon's face and devised a plan to confess to the killings of Tony and Sally. She was certain that Simon would end up back in their old unit at the psych hospital, where they would rekindle their friendship and live happily ever after. Working his invisibility mojo, Simon followed Lucy to the police station, where he apologized for having ignored her earlier and made a case for his freedom. No, things weren't perfect with his group of friends, but he HAD a group of friends. Simon admitted to finally being happy and being content with who he was. He couldn't go back to the psych ward with her because he just wasn't that Simon anymore. He's come a long way, hasn't he? We should all be very proud.

And in the span of one episode, Lucy made some progress herself. Despite the obvious obsession with Simon that led to her antics in the first place, Lucy managed to reach an understanding with her former target and maybe even an understanding with herself. Simon said that he liked the person he became during their time apart, a concept that Lucy initially didn't seem to understand, asking Simon if he REALLY thought the other ASBO kids would want to be friends with someone like him. Simon nodded. It was small and a little bit uncertain, but it was there, which speaks clearly to how far his social ineptness and basement-level self-esteem have come.

If the powers on Misfits are meant to reflect an aspect of an individual's personality, then the fact that Lucy can take another individual's (or animal's) shape and essentially become someone else for an extended period of time fits well with her disbelief that Simon could have changed, grown, and evolved into a happy and healthy person who is comfortable in his own skin. Simon essentially outgrew her, which is sad for both of them, but it's one of those things that happens. Relationships change as the people in them change.

So of course I have to ask, does this mean that powers can change too? Or is that just crazy talk?

– Will we see Lucy again? Do we WANT to see Lucy again? (I kind of want to see Lucy again.)

– Is impaling Nathan for laughs the new thing? I can't decide if that would be hilarious or annoying. I'm leaning toward annoying.

– I really like the new douchebag probation officer. Tell me this one doesn't meet (another) untimely demise.


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Showtime Renews Episodes for Season 3

Looks like we'll be getting a second season of hockey comedy Pucks! The show-within-a-show will be back, as will the show it lives within, Episodes. Showtime renewed the Matt LeBlanc comedy today and will begin production on the nine-episode third season next year.

Episodes stars LeBlanc as a dopier version of himself starring in a television show that's being adapted for America from its British original. At the center are the couple (Stephen Mangan, Tamsin Greg) that created the British original as Hollywood tears into their souls and makes them do things like have sex with starlets!

Most of what I've seen of Episodes has been inconsistent, and I haven't kept tabs on it very closely. But I'm open to suggestion if you guys think otherwise. Should I watch Season 2? Decide my fate in the comments below, but if you make me watch it and I hate it, I will come after each and every one of you.

Follow TV.com writer Tim Surette on Twitter: @TimAtTVDotCom

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FX Renews Charlie Sheen's Anger Management for 90 Episodes

Charlie Sheen isn't leaving TV anytime soon. FX has renewed Anger Management—its Sheen-starring, Two and a Half Men-esque, multi-camera comedy that's based loosely on the Adam Sandler movie of the same name—for a whopping "back 90" episodes. The network announced the renewal this morning via press release, saying that production on Season 2 will begin at the end of September and the show will return to the air in January.

We pretty much knew this news was coming; it was mostly a matter of when (and frankly I'm kind of surprised the show wasn't renewed earlier). As part of Anger Management's original deal, announced when FX first landed the property, if the show did well enough in the ratings in its first ten episodes, it was guaranteed a 90-episode pickup... thus ensuring that it would hit the 100-episode mark typically required for syndication.

According to FX, Anger Management exceeded exceptions, becoming the highest-rated new comedy series on cable in 2012, and averaging 4.53 million total viewers and 2.5 million adults 18-49 in its first ten episodes.

Did you watch any or all of Season 1? If so, what did you think? Do you think you'll stick around for the long-haul?


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The Veronica Mars Season 3 Dossier: Episodes 1-4

Let's be real: The college seasons of any TV show rarely seem to stack up to the high school years. That's partly because shows' original settings make such strong impressions, but a bigger reason is that stories about young people are so much more compelling in the social crucible of high school. But Veronica Mars the character always felt constricted by her high school trappings, and the show was always much more about the entire town than it was a particular school. I've only seen the first four episodes of Veronica's freshman year in college, but I already really dig the change of setting. College just seems like a more natural fit for Veronica. She now straddles the line between stay-at-home daughter and out-in-the-world grown woman, which, let's face it, she was already those things and it felt sort of weird before. You know? She's always been so mature that it's hard to believe she was underage for the first two seasons.

So yeah, I'm already liking the college year much more than I thought! And it's not just because of the presence of Chris Lowell and his haircut.

Which brings us to the most obvious changes to Season 3. Because there are a couple! In real life, obviously, Veronica Mars had moved from UPN to CW having escaped the cancellation gauntlet on the strength of its good reviews and word of mouth. But it was clear that the CW was hoping Veronica Mars would become something more in line with their old WB shows. I've intentionally tried to ignore specific commentary from that era so as to not get TOO spoiled, but I am aware that this season was divided into multiple story arcs. Anyway, let's talk about the things that are already different on-screen. In addition to Lowell (who'd been in Life as We Know It with dreamy Sean Faris, and would later go on to Private Practice), a second new regular castmember was added to the opening credits:

Julie Gonzalo (currently on TNT's Dallas revival) played Mac's chipper roommate who underwent a personality-shifting trauma in the season premiere. In addition, both Mac and Sheriff Lamb were bumped up to series regulars (at least according to the opening credits). Oh, and those credits. Gone was the '90s-era notebook-themed montage and in its place was a sleek, dusky fashion shoot set to a slower, lower energy version of "We Used To Be Friends." A strange choice, but it still worked.

So while I expected to put off by the changes to Season 3 (and possibly annoyed by obvious CW meddling), so far at least I like the Hearst setting. It just makes more sense for Veronica to be on a college schedule rather than a daily high school routine. It affords her the independence she needs to do her thing without us becoming highly skeptical of her GPA. Also, aside from the rape plotline (which, by the way, I despise) this season feels slightly more laid back and fun. And not in a show-ruining way either. Also Chris Lowell.

Okay let's pull on some bald caps and get into it!

Case of the week: The season premiere began on what appeared to be move-in day at Hearst College, but for commuter students Veronica and Logan it was just a day to chill out in the sunlight between classes. We first saw Veronica tearing up a class project in which she needed to suss out a particular piece of information before her classmates did, and she set a school record in the process. Clearly she'd be good at this. But the main case of the week involved Wallace's new, excellently coiffed roommate Piz and how all his stuff got stolen out of his car while moving into the dorm.

After Veronica discovered that the same thing had happened to some other people, she traced Piz's stolen guitar to a dude who was selling it on Craigslist. The guy claimed he'd bought it fair and square from somebody else, obviously, but returned it when he found out it was stolen. So the hunt continued.

After realizing that Piz's car had been tagged with the name of a local punk band, Veronica dragged the gang to a rock show and crashed the stage in order to promise the audience a reward for any information about the burglary ring. A trio of teenage hoodlums claimed they'd seen suspicious activity, but it didn't take long for Veronica to discover they'd all been former mentees of the Craigslist seller and they'd all been in on it together. So, you know, not the most shocking or earth-shattering mystery, but it served to help set up Veronica's college dynamic while also introducing us to new characters.

The plot thickens: Remember that awful rape/head shaving plotline from Season 2? Well, that's the full-on mystery for this stretch of episodes. Not only was Hearst still dealing with the rash of rapes from the previous year, the entire drama had stirred up a lot of tensions on campus between the fraternities and, I guess, those against rape.

Here was our introduction to Dick Casablancas, who'd apparently spent the summer skipping his grief counseling and hitting up Zumba classes!

Anyway, the serial rapist plotline took a disturbing turn when at one point Veronica snuck into Mac and new roommate Parker's room while Parker was apparently getting it on with someone, and only later found out that Parker was actually being sexually assaulted by the head-shaving rapist! Yiiiiikes.

Meanwhile we found out what exactly Kendall wanted from Keith in the season finale that caused him to miss his flight to New York. It wasn't that exciting, she just wanted to pay him to put her into some kind of witness protection situation. So for most of this episode Keith was dealing with part 2 of that plan, which involved picking up the newly freed Fitzpatrick brother (the one Kendall had done jail time for at one point) and driving him to Kendall's secret location. Where the Fitzpatrick brother promptly MURDERED Kendall and then chased Keith out into the desert. Dang, that's cold! And also hot! Because the desert.

Episode verdict: Great first episode back... There was a lot to accomplish in setting up the new environment and characters, but it still felt really organic to the series as a whole. As excited as I was about the new stuff, it was the old stuff that bummed me out so much: Ugh, that rape plotline. I think I can handle the subject matter, it's how the campus is behaving over it that really annoys me. Um, so a horrifying serial rape situation has caused a backlash against the victims? I realize that Neptune is a cesspit for bad people and their bad decisions, but it's super hard to believe that anybody would be actively mocking the victims of rape like this. Oh well. Trying to stay positive. Piz is charming!

Case of the week: While Veronica's goings-on were firmly in mythology territory, the main case of the week was the Stanford Experiment-esque class assignment that Logan and Wallace participated in. The class was divided into two teams, prisoners and guards, and the prisoners were supposed to use any means necessary to obtain secret information from the prisoners. The entire exercise is obviously designed to see just how low ordinary people will go in order to comply with their chain of command, so the dorky kid who became the instant villain was no surprise. But the main fun of this plotline was that it pitted Logan and Wallace against each other despite them being friends (their reversal of social status was an added thrill). Unpleasant food and bathroom activities aside, it was pretty entertaining seeing each side attempt to outwit the other and in the end the guards won by sneakily setting the clock forward by 20 minutes and then tricking the prisoners into divulging the information believing they'd already won. Oldest trick in the book.

The plot thickens: Meanwhile Veronica was feeling turbo guilty over having sorta been present for Parker's rape and vowed to get to the bottom of this rape plot once and for all.

Just wanted to point out Parker's shirt here. Haha, girls!

Veronica ended up forming an unsteady alliance with the school paper to go undercover as a young co-ed looking to join Theta Beta, the sorority that Parker had been involved in, hoping that by following Parker's party-girl footsteps she'd catch the eye of the rapist. First she showed up and charmed all the busybody blondes (who had their own Greek chorus!) and even seemed to find a genuine friend in a down-to-earth redhead sister. But after pretending to be drunk and making a fool of herself in front of a conspicuously placed security camera, Veronica was asked to leave. Foiled!

In the end it turned out that the sorority DID have a secret: Their house mother, a cancer patient, had been growing medicinal marijuana in the storage closet (hence the camera). Though Veronica attempted to kill the story, the paper's opportunistic editor decided to print it anyway, thus earning Veronica the scorn of the entire campus. Oh, Veronica! But she did learn two things in the process from sorta-impersonating a sorority girl: They confiscate room keys for fun and also provide questionable transportation for drunk girls, two things that were a factor in Parker's assault. So while Veronica still didn't solve the case, she was probably on the right track.

Elsewhere Keith finally made it out of the desert after tricking the Fitzpatrick brother into stepping into an animal trap. Apparently this whole thing had gone down because Vincent Van Lowe, who'd been hired by the other Fitzpatrick brother Liam, had planted a tracking device in Keith's briefcase thus alerting Liam to their whereabouts. Still not sure why the main brother killed Kendall though. I guess he was just a bad person? Anyway, after he got caught in an animal trap Liam showed up and shot his brother in the head. So just a lot of good times out in the desert.

Keith DID eventually make it back, and Veronica discovered him in the living room looking shaken and sunburnt. There was a touching moment where we knew he wouldn't tell her what had happened, and she just hugged him anyway.

Don't I know you from somewhere?

Whoa, Logan and Wallace's professor was played by Dan Castellaneta, erstwhile Homer Simpson! It will never not be weird seeing the actual faces of The Simpsons castmembers, but it's still nice.

The insta-villain in the class experiment was played by Rider Strong of Boy Meets World and Cabin Fever fame. There's just something about this guy that I buy as a sneering villain. Good casting!

The most put-upon prisoner was played by Samm Levine from Freaks & Geeks. (And Life as We Know It alongside Chris Lowell. Fun fact?)

The most sympathetic member of Theta Beta was played by Rachelle Lefevre, most famous for getting fired from Twilight: Eclipse and also playing a series of doctors on A Gifted Man and Off the Map.

Episode verdict: Anytime Veronica goes undercover as her polar opposite is just a good time, you know? Seeing her in the sorority girl costume and then later acting a fool at their party was a total pleasure. And as much as the Stanford Experiment thing was low-stakes and standalone, I enjoyed its unpredictable twists and reveals. Perfect early season plotline.

Case of the week: After a football-player-with-a-heart-of-gold lost his team playbook, he enlisted Veronica to help him get it back (or discover who stole it) before he'd lose his scholarship. A number of people served to benefit from the jock getting kicked out of the program: His best friend and on-field rival; his girlfriend's jealous ex; and even the special teams coach who'd had it out for him from day one. But the true culprit ended up being the football player's girlfriend, who'd decided that playing on the team wasn't good for his soul, or whatever. But once she'd stolen it, her ex had stolen it from HER, and then the ex's roommate got in on the act by keeping the thing hidden so he could clean up in some well-placed bets. Ultimately Veronica recovered the playbook, but the football player decided to hightail it back to his hometown anyway, clearly having become so disgusted with Neptune that he couldn't handle it anymore. Fair enough!

Meanwhile, Veronica had a new authority figure to bump up against: Dean O'Dell. After her school newspaper exposé alluded to the fact that a faculty member had provided marijuana seeds to the Theta Beta house mother, O'Dell threatened Veronica into naming names or else she'd be expelled. But Veronica ducked the issue by helpfully investigating the vandalism to the Dean's car and revealing that his own son had done it. That, in addition to getting the car repaired for free by Weevil, meant that Veronica was now on the Dean's good side and would probably not be naming names anytime soon.

The plot thickens: Meanwhile Piz got a job at the most expensive-looking college radio station in history and his hot button issue-oriented talk show meant he was now mediating between the anti-rape feminists of the campus and the comedy newspaper who'd decided to lampoon them. (Ugh, this campus.) Oh, and another person got raped. Otherwise not a ton of progress was made in solving this thing.

Weevil made his first Season 3 appearance here, and it was business as usual for him. By business I mean punching everybody in Neptune. First his manager at the car wash, and then after Veronica got him a job at Keith's office, Weevil went on to punch out someone he was supposed to be staking out. Typical Weevil! But because his probation was contingent on staying employed, Veronica took it upon herself to find him yet another job. So by episode's end he was a janitor at Hearst. Congratulations?

A recurring theme in these episodes has been whether or not Veronica and Logan's relationship would survive into college. Except for a few highly romantic scenes (like the above incident that ended the episode), it's looking pretty bad in my opinion! Veronica was having trust issues, particularly because Logan was keeping secrets from her. Also, the fact that he'd fallen in with Mercer Hayes—a kind of college gambling kingpin—meant that maybe Logan didn't have the best educational priorities just yet.

Don't I know you from somewhere?

The Social Network's Armie Hammer played the good-hearted football player. (Sigh.)

Ed Begley, Jr. appeared as Dean O'Dell, in a remarkably dickish performance. He usually seems so nice! But not here.

Slightly more obscure but very exciting: The jock's girlfriend was played by Lindsey McKeon who used to be one of the main girls on Saved By the Bell: The New Class. (Yes, I watched that.)

Episode verdict: Not gonna lie, I am more than ready for Weevil to be written off the show. (Can he be sent to Australia also?) But I really enjoyed all the football-related intrigue, especially the character reversal of the football jock being the only decent person in his circle. As for the Logan stuff—and if I'm being honest here, I am not as die-hard about this character as a lot of you hardcore fans are—I'm getting slightly tired of his storylines. He seems to be alternating between woe-is-me hangdog and shifty bro liar. I don't know. Don't be mad at me for saying this, but Logan is not my favorite, and whenever there are scenes of Logan and Veronica gallivanting around campus together (she in expensive shades and he with his shiny Range Rover), it makes Veronica look like the exact kind of snobby girl that she claims to abhor. Call me crazy, but I kind of wish Veronica was a single outcast again. But back to this episode, I liked it overall!

Case of the week: After Logan learned that his trust fund was depleting much faster than he'd thought (um, maybe move out of that penthouse?), he hired Veronica and Keith to track down where his parents' missing funds had been going. As it turned out, at some point Aaron Echolls' business manager started up a fund called "Aaron's Kids," allegedly a non-profit that provided services to the underprivileged. But in the recent past, Aaron's Kids had been shut down and started up again as "Aaron's Kidz" and the money had been funneled to one person and one person only: Aaron's kid! Well, his other kid. Because yup, Logan had a secret half-brother he'd never heard of!

After Veronica informed Logan of this news and urged him to contact the guy, pretty soon we met a blonde charmer who seemed to have just the right amount of sun-kissed smarm to seem like an Echolls. Unfortunately Veronica had a nagging suspicion that all was not right, and discovered that this was an impostor; the real half-brother was a teacher up the coast. The impostor turned out to be a Vanity Fair reporter using one of the more questionable journalistic tactics I've ever heard of. After feeling understandably betrayed, Logan came to suspect the real half-brother was in on the scam, but after the story of the hidden half-brother went public, Veronica convinced Logan that the brother was indeed an innocent bystander. The episode ended with an increasingly troubled Logan finally giving the real brother a call.

Meanwhile in a case of the week that seemed to be promise drama in the future, Keith agreed to help a casual acquaintance Harmony find out whether her husband was cheating on her. The twist was that it sort of seemed like she was hoping he was, and if Keith's flirtations were any indication, it seemed like Keith was hoping this was the case also. But after tailing the husband and planting a bug under his necktie, it turned out that he wasn't cheating and seemed to be a pretty decent guy to boot. Cue guilt, relief, and disappointment, not necessarily in that order. But regardless of the false alarm, it definitely seemed like Keith and Harmony had a spark between them, so I'm guessing we'll be seeing more of them.

The plot thickens: After Dick's frat house became a hotbed of suspicion in the serial rape case, Dick hired Veronica to exonerate them. Because she herself was skeptical of their innocence, she took the opportunity to roundly grill all the brothers and do her best snooping around the house. Unfortunately word got out that she was helping them, which did NOT make the campus anti-rape activists happy.

Ultimately Veronica obtained some ATM photos that seemed to suggest the most recent rape victim had been hanging out with a guy who wasn't in the frat, thereby convincing her that Dick's frat house probably wasn't the home of this particular serial rapist. Seemed like a leap to me (couldn't the rapist have been standing outside of the frame?), but fine.

Don't I know you from somewhere?

Logan's faux step-brother was played by Matt Czuchry of The Good Wife, Gilmore Girls, Friday Night Lights, and... Dang, this guy has been on so many shows! I bet on his resumé under Television it just says "ALL OF THEM." (Also, is this season way more beefcakey than before? So the move to CW wasn't ALL bad?)

Logan's actual half-brother Charlie Stone was played by 90210's Ryan Eggold.

And Keith's new love interest Harmony was played by Laura San Giacomo from Just Shoot Me and, of course, Sex, Lies and Videotape. And let's be real, she was WORKING this slice of pizza.

Episode verdict: Top quality stuff. I loved the moment when Veronica realized Logan's brother was an imposter and in the next scene we saw the two guys surfing together. So much suspense! Plus how despicable was that guy? They'd been trading stories about Aaron and it seemed like Logan was really moved by the knowledge that he had more family out there somewhere. Aw. But yeah, good episode.

Okay, I'm definitely sold on Season 3 not being as weak as I'd heard. In fact, for now it seems just as strong as anything I've seen. I like the slightly sunnier tone and it's nice having new locations to explore. But my one major problem—and I'll try not to make this too much of a rant—is the presentation of the feminist group on campus as some kind of humorless group of killjoys that everybody seems to hate. It makes no sense! There is a serial rapist on the loose and it would've made national news already. FBI agents and the state government and even frat houses would've joined together to put a stop to it already. I seriously don't believe this issue would be treated so flippantly by the student body, and I definitely don't think the anti-rape activists should be presented as just another over-reacting faction. Everybody should and would be on the same page here. I mean, I get it, Neptune is a hellhole. But it really takes me out of the story every time the show seems to present the anti-rape activists as a bunch of shrieking harpies. Even Veronica seems weirdly blase about everything. I know she's trying to find Parker's rapist (their scene together where Veronica revealed her own assault was nice) but lately she's just been grimacing in the direction of the activists like they're misguided or something. I don't know. What do I know? Nothing. The presentation of the campus factions just makes me uncomfortable, and I'm not sure it's in the way the show intends.

Typical Veronica Mars, though. Despite the elements that nag at me as being NOT OKAY, I still really enjoy it. That's just how it's going to be, I guess.

QUESTIONS:

... Did you find the Season 3 changes welcome or jarring?

... Did you go to college in your hometown but still live in the dorms like Mac and Wallace?

... Were you rooting for Veronica and Logan?

... Be honest, how bad did you miss Jackie at this point?

Previously...
– The Veronica Mars Season 1 Dossier: Episodes 1-8
– The Veronica Mars Season 1 Dossier: Episodes 9-16
– The Veronica Mars Season 1 Dossier: Episodes 17-22
– The Veronica Mars Season 2 Dossier: Episodes 1-4
– The Veronica Mars Season 2 Dossier: Episodes 5-8
– The Veronica Mars Season 2 Dossier: Episodes 9-12
– The Veronica Mars Season 2 Dossier: Episodes 13-16
– The Veronica Mars Season 2 Dossier: Episodes 17-19
– The Veronica Mars Season 2 Dossier: Episodes 20-22

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