Showing posts with label Second. Show all posts
Showing posts with label Second. Show all posts

What to Watch Tonight: Emily Owens, M.D., Covert Affairs, and the Second Presidential Debate


What to watch on Tuesday, October 16...

The secret word of the day is... America! Scream it out loud (or just in your head) every time you read it in this story. Here's what's on TV tonight:


SERIES PREMIERE, 9pm, The CW
Emily Owens, M.D.
Once you get past the lame title, this new medical drama stars Mamie Gummer (Meryl Streep's daughter!) as the titular Emily Owens, a med school graduate who's just starting out as a surgical intern and ready to leave her awkward and dorky school years behind her... until she realizes that the social hierarchy at her new hospital similar is possibly worse than high school. Will it be more than Grey's Anatomy Lite? Tune in to find out!


SERIES PREMIERE, 9pm, History
The Men Who Built America
Amerrrrrrrica! America, Aaaaaaaaaaa... MERICA! (No, I'm not drunk, just excited because America is the WORD OF THE DAY, duh!) This new History Channel miniseries will delve into the origins of the country's oil, rail, steel, shipping, automobile, and finance industries as pioneered by J.P. Morgan, Andrew Carnegie, Cornelius Vanderbilt, Henry Ford, and John D. Rockefeller. Check it out, you might just learn something!


LIVE, 9pm Eastern/6pm Pacific, NBC, ABC, CBS, FOX, CNN, MSNBC, C-SPAN, PBS
The Presidential Debate
Did someone say America? Yep, I did! With two debates down and two (including this one) to go, there's still a lot to talk about! Tonight, President Barack Obama and Mitt Romney will jump back into the ring for their second presidential debate, this time at Hofstra University in Hempstead, New York. The event will be moderated by Candy Crowley, host of CNN's "State of the Union." Unlike the first presidential debate, the candidates will be answering questions from members of the audience during the televised event, which will focus on foreign and domestic (America!) issues.


SERIES PREMIERE, 10pm, MTV
Underemployed
MTV's newest scripted drama from producer Craig Wright (Dirty Sexy Money, Six Feet Under) follows five friends in Chicago as they discover that life after college isn't as glamorous as they imagined it would be. And it looks kinda good! Plus one girl's job requires her to wear a donut-shaped hat.


10pm, FX
Sons of Anarchy
Sons of Anarchy is getting more intense with every episode. In tonight's "Small World," Jax makes a proposal to the club that comes with some serious consequences. And on SoA, "serious" usually means "bloody." So there's that.


10pm, USA
Covert Affairs
After a short break, the second half of Season 3 has arrived. In tonight's "Rock 'n' Roll Suicide," Auggie, Joan, and Arthur team up with an old friend to bring Annie home from a Russian underground prison. How will they get her out? Tune in to see! P.S. America!


SEASON 5 PREMIERE. 11pm, ION
Flashpoint
Flashpoint returns to the televisions of America (word of the day!) tonight, and in the Season 5 opener "Broken Peace," Team One searches for an armed man who's hunting for his ex-wife, and the situation take a tragic turn during the pursuit.


LATE-NITE HIGHLIGHTS:
Don Rickles and Dancing With the Stars' cast-offs on Jimmy Kimmel Live, 12 a.m., ABC
Lauren Graham on The Late Late Show With Craig Ferguson, 12:37 a.m., CBS



View the original article here

Boardwalk Empire "Blue Bell Boy" Review: Any More Second Thoughts?

Boardwalk Empire S03E04: "Blue Bell Boy"

This season of Boardwalk Empire is a bit confusing to me. In just four episodes, we've seen Nucky go from king of the mountain to scared and confused and now he's moving back toward the top again. Things change and power comes and goes situationally, but I have to say that it has been a little disorienting watching a lead character sway with the wind. Like so many things with this show, Nucky's weird journey this season has worked on an individual episode or even scene-by-scene basis, yet his path makes much less sense when everything's lined up in a row.

Most interestingly, this week's episode "Blue Bell Boy" didn't much worry about the vision-having and the great, deep feelings of loneliness that Nucky was driven by last week. Instead, here he was, in many ways, on top of his game: ordering people around, taking care of problems, and reasserting his place at the top of the food chain. There wasn't a single mention of Nucky's obsession with Billie Kent, which was also pretty weird. I know that Boardwalk Empire sometimes takes a more spread-out, novelistic approach to storytelling, but it almost feels like the last two episodes didn't really happen, at least for Nucky. Odd choice.

However, although the visions were gone, much of Nucky's story in "Blue Bell Boy" was still about the ghost of Jimmy—just much more indirectly so. Nucky's relationship with Owen doesn't hold a candle to the tenure or complexity of his time with Jimmy, but once Nucky saw that Mickey, Nucky's employee, expected Owen to override certain choices Nuck had made, Nucky went on the offensive. It was interesting to see Nucky and Owen in tension with one another, if only because Nucky, in many ways, created this situation for himself. He likes to be hands-off with the distribution and transportation, leaving Owen to more-or-less run things while never really suggesting that Nucky isn't in power. Even when Nucky confronted him, Owen doesn't really challenge him back. He was just doing his job, and would continue to.

Clearly, though, Nucky was at least somewhat worried about Owen rising up against him or gaining more respect with the other employees because of what happened with Jimmy. This was further reinforced when Owen admitted that he'd been loyal because Nucky took him in and gave him a place to be, which is pretty much what Nucky did for Jimmy. The problem, perhaps, is that Nucky sees that Owen might be a little more, let's say, "fit" to take him on, especially compared to the tormented Jimmy.

Nucky's Jimmy issues fired up again when he and Owen tracked down Roland Smith, a youngster who'd been stealing some of the liquor. Although clearly trapped, Roland charmed Nucky quite a bit, so much so that when some dirty feds showed up to raid and kill, forcing Nucky, Roland, and Owen to hide in the cellar, Nucky didn't just kill the kid to get out of a mess. In fact, he sat down in the basement with Roland and Owen for more than a full day, disrupting distribution plans. Once the feds left, the kid begged Nucky for a job and it seemed like it was going to happen, only for Nucky to shoot the kid in the back of the head, shocking Owen and probably himself.

In one fell swoop, Nucky got rid of a kid who he clearly admired but also felt threated by, and reminded Owen of who's really in charge. Nucky isn't going to let what happened with Jimmy happen again. If that means shooting an up-and-comer or sending a message to Owen about the leadership hierarchy, then so be it.

I don't quite see how the writers decided to jump from having-weird-visions Nucky to shooting-kids-in-the-back-of-the-head Nucky in just one episode, but the character is clearly working out some complex psychological issues, so I'm willing to go with it. You could definitely make the case that Nucky's actions in this episode were a direct response—overcompensation even—to what happened in the previous two. I just wished there would have been references to those last two hours. Plus, I would like to see Owen and Nucky have more interactions in the future, even if it means each will be on his toes with the other for different reasons.

If we're reading Nucky's actions here as part of some large attempt to overcompensate or LOUDLY reinforce his power, his decision to give Eli the cold shoulder fits right alongside shooting Roland and indirectly threatening Owen. Nucky gave Mickey the directive to not move Rothstein's shipment through Tabor Heights now that it's under Gyp's control, which Mickey shrugged off and ignored, so Eli tried his damndest to A.) keep Mickey on track, and B.) get back into the good graces of his brother. He failed on both counts, and just about everyone who tried to make the trip through Tabor Heights ended up dead. Eli visited Nucky at the end of the episode, expecting that the latter might listen. But again, Nucky was clearly holding onto the past. He wouldn't give up on what Eli tried to do to him, just like he can't really get over what he did to Jimmy, and it cost him a bunch of men and liquor. Not smart.

While Nucky's problems all stemmed from his unwillingness to let go of the future, Capone let his anger get the best of him, and somehow became the outlaw hero to people who'd been bullied. Who would have guessed that? His deaf son came home from school with bruises inflicted by other deaf kids and his co-worker Jake came into work with bruises of his own, thanks to one of O'Banion's guys. When Capone realized he couldn't teach a young and scared deaf boy to fight, he transferred all that rage to the man who beat up Jake, leaving said assailant a bloody and dead pulp on the bar floor. I think Boardwalk Empire does its best work with its peripheral characters when it tells smaller personal stories instead of moving plot around, so I really enjoyed Capone's crusade. And while the north/south Chicago feud is slow-moving, it's also becoming more and more personal, which could lead to some compelling events in the future.

Finally, Margaret's overeager hope for the women's clinic was squashed somewhat. A nun put the kibosh on references to such dangerous terms as "vagina," "pregnant," and "menstruation" and almost ran away from a box of tampons, which was just barely more disheartening than the tepid reaction to the clinic's classes on the boardwalk. It seems that being one of the only progressive women in a very restrictive, regressive time is not the easiest gig. The women don't necessarily want to be pulled into Margaret's modern world, presumably out of fear. So while Nucky is out trying to put the fear into people, Marge is trying to break it down. Unfortunately for her, one is much easier than the other.

– The episode ended with Al Capone playing his son a song on the ukulele. That really happened. Boardwalk Empire is turning into Glee and Capone is worried about how he's going to compete at Regionals now that he killed (another) guy.

– I said this last week and I'll say it again: I don't know why I'm supposed to care about Lansky and Lucky's heroin business and I especially don't know why I'm supposed to care about other Italians telling Lucky that he can't trust Lansky and Rothstein because they're Jewish. That's the one story where I feel like the writers should just cut bait and move on.

– MIA this week: Van Alden, Richard, Chalky and Gillian. Heck, Gyp barely had much to do. He was more of a presence than anything else.

Someone's back in the game! Here we go:

1. Gyp (previous rank: 1): Another week, another reign at the top. Gyp's strangle-hold on Tabor Heights is causing a lot of problems for a lot of powerful people. He's bound to slip, right?

2. Nucky (previous rank: N/A): Maybe his slump is over, maybe it isn't. But Nucky sure looked like a Full Gangster this week.

3. Capone (previous rank: N/A): I can picture the PSA now: "Real gangsters stand up to bullies."

4. Margaret (previous rank: 3): Ms. Schroeder drops a spot due to the tough sledding with the women's clinic. But we knew it was going to be tough. Liberation ain't easy.

5. Jimmy's Ghost (previous rank: 4): Hard to knock Jimmy's Ghost off the list when Nucky's making big moves basically to spite him.

Boardwalk Empire "Blue Bell Boy" Photos


View the original article here

Warehouse 13 "Second Chance" Review: Mind Over Matter

Warehouse 13 S04E08: "Second Chance"

While Pete and Myka were sent to West Virginia to investigate some rusting steel workers and Claudia and Zombie Jinks headed off to Jinks' childhood home in New Jersey to work on making him a real boy again, Mrs. Frederic stopped by the warehouse to talk some sense into Artie and confirmed a whole lot of what we've already been thinking:

1. The Astrolabe was the only hope to save the warehouse (and the world) after Sykes blew it up at the end of last season. Caving to Adrian's demands that Artie undo what he did isn't really an option.

2. She wouldn't have done anything different herself.

3. The "evil" that Brother Adrian keeps going on about is PROBABLY Brother Adrian.

4. Oh please, Claudia is not evil. The suggestion was probably planted in an attempt to isolate Artie from his nearest and dearest allies.

At first, I thought Mrs. Frederic's adamant defense of Claudia was practically confirmation of her eventual evil-doer status, since that's how Warehouse 13 rolls (see: Wells, H.G., Season 2) but now that Zombie Jinks is, well, no longer a zombie but a flesh and blood human being with a pulse and everything, I don't know what could possibly push Claudia over the edge at this point. She won her own self-appointed quest. She said she would save Jinks and she did. Everybody's happy.

Except Artie. One would have hoped that Mrs. Frederic's affirmation that he did the right thing—and her assurances that none of his agents, let alone his protege Claudia, would turn against him as a result of using the astrolabe—would have assuaged some of his fears, but mostly, Artie was annoyed that H.G. figured out his time-travel shenanigans and blabbed to Mrs. Frederic about them behind his back. If I were in Artie's position, I'd be thrilled to have the backup, especially considering the fact that he wasn't really doing such a great job of holding down the fort on his own. If Mrs. Frederic wasn't worried, I wouldn't be worried. Then again, slipping into the warehouse when Artie wasn't looking to smuggle the astrolabe to a super-secret location that he is unaware of might just signify her own insecurities about the artifact's repercussions. Thoughts?

The theory that Artie and Brother Adrian are possibly the same person, or that the Adrian we keep running into is a figment of Artie's imagination was floated in the comments section last week. Do Mrs. Frederic's actions, particularly her decision to support Artie, but at the same time keep him out of the loop, lend credence to this? I think you guys might be onto something. I'm getting weird vibes off of Artie these days. Maybe someone should call in Pete, you know, if that whole bad vibes thing is still part of his skill set. It seems to fluctuate.

At least Jinks is whole again. Score one (admittedly big) victory for the warehouse. A rhyme associated with the metronome sent Claudia and Jinks to New Jersey, assuming that the references to home and birth were just that. Oh, they were, but finding the cure for Jinks' metronome dependency was a little more complicated than just sitting in his childhood living room and trying real hard.

As we know, Jinks' sister, Olivia, was murdered... and it was her death that inspired Jinks to join the ATF and eventually, the warehouse team. What we didn't know was that her death also served to estrange Jinks and his mother when he sought the death penalty for his sister's killer and his mother campaigned to let the killer live in order to spare another family the pain of losing a child. That's some pretty selfless thinking there, and it was reconciling with his mother, understanding her decision, and forgiving her that was ultimately the key to unlocking the mystery of the metronome. Also, smashing it to bits when it locked on to Jinks' mom, an equally selfless action since Jinks' didn't know if destroying the artifact would kill him as well. It was a moment of pure love between a mother and her child—which, honestly, makes me wonder about the specifics of when Sykes was using it to keep his righthand henchman alive indefinitely. I mean, can you imagine those two running on pure love and forgiveness? The whole point of Sykes' character was that he was a bitter, angry, psycho, too hung up on the past to move forward. I doubt his temporarily immortal sidekick was much better. So did they keep a soul-bonded hostage locked in a broom closet somewhere? Details details details!

Which brings us to Pete and Myka's adventures in West Virginia and the detailed snafu behind the neutralization of some Spartan armor that kept inconveniently turning steel workers with a boxing hobby into rusting human hulks. (Gross.) Once Pete and Myka identified the artifact and determined who was using it, the usually simple matter of acquiring and deactivating the artifact was complicated by the tiny detail that it was embedded in the user's chest. Steelworker Cody did two tours of duty in Iraq and during one of them, was present for the bombing of a museum in Baghdad where bits of the Spartan armor were reduced to shrapnel. A heightened emotional response at the steel mill, where Cody had to save his father during an equipment malfunction, activated the armor and led to Cody inadvertently making his fellow boxing-club members sick. Removing the shrapnel wasn't an option since it was too close to Cody's heart, so Myka just jammed a hypo of the purple neutralizing goo in his chest and hoped for the best.

It worked. Huzzah. But—details!— I thought the canon had established that the neutralizing goo is a sort of temporary solution. Artifacts can be doused and turned off, but very easily reactivated, hence the goo stations situated throughout the warehouse. So what happened there? Did Myka just leave Cody with a bunch of hypos full of goo for the next time he has an emotional outburst? I'm not advocating that we kill Cody or anything, I'm just saying that Myka's solution wasn't exactly a guaranteed fix and I overthink things and the devil is in the details and all that. This hasn't been a great season for the detail-oriented among us, has it?

– I think I was supposed to swoon over Boxing Action Pete Lattimer, but mostly I just yawned. Can we get a meaningful job for Pete again? Remember how much awesome he brought to this season's premiere? Can we have that back? Please?

– Okay, we get it. Claudia reminds Jinks of his dead sister. Claudia reminds Jinks' mom of the mythical dead sister. We saw photographic evidence that she physically resembled the dead sister. Stop hitting me on the head with it, Warehouse 13, I get it! I also thought Claudia fawning over Dead Sister's bedroom was kind of creepy.

– Mrs. Frederic's decision to stash the astrolabe with H.G: good call or bad call? Should she keep Artie out of the loop? Admittedly, his hiding place was impressively sucky and his headspace is kind of a disaster right now. Does Mrs. F know something that we don't? Probably.


View the original article here