Showing posts with label State. Show all posts
Showing posts with label State. Show all posts

Watch the State of the Union Address Online (VIDEO)

You may have noticed that there isn't a ton of new TV on tonight. The reason is simple: It's time for the annual State of the Union Address. President Obama is scheduled speak beginning at 9pm Eastern, and the address will air live on all the major broadcast networks (not including The CW, which is airing reruns) as well as CNN, MSNBC, and more. It'll also be available to stream live online (well, unless Anonymous makes good on its threat to hack the event) via the official White House YouTube embed below.


You can also find live streams at the following sites, among others:

– Politico

– CNN

– Bing

– YouTube Politics


Enjoy your evening full of politics—be they of the United States, Harlan County, or A Team varieties—and rest assured that tomorrow's TV schedule will return to normal, with the season premiere of Survivor, new episodes of Arrow and Supernatural, and more.


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What to Watch Tonight: Pretty Little Liars, Justified, and the State of the Union Address


What to watch on Tuesday, February 12...


8pm, ABC Family
Pretty Little Liars
Spencer lashes out at Mona in "What Becomes of the Broken-hearted." Hanna seeks to reunite Caleb and his father, who had love that's now departed. Emily and Jason know they've got to find some kind of peace mind regarding Ali's trip to the Jersey Shore.


LIVE, 9pm Eastern, Various Networks
The State of the Union Address
President Barack Obama delivers his annual address to a joint session of the 113th Congress, followed by the GOP response from Sen. Marco Rubio of Florida. Criminally, Animal Planet has announced no plans to counter-program with the State of the Puppy Union featuring an official Kitty rebuttal.


9pm, ABC Family
The Lying Game
Emma deploys deception in order to shine light on Rebecca's falsehood in "Catch Her in the Lie," just in case you were doubting how seriously this series takes the central thrust of its title. Meanwhile, Kristin makes an unsettling discovery, and her support of Alec puts Theresa's relationship with Dan on the rocks.


10pm, FX
Justified
"Foot Chase" picks up with Raylan on the trail of Josiah Cairn, or what's left of Josiah Cairn after his involuntary amputation. Elsewhere, Boyd and Ava set their sights on the upper strata of Harlan County society. I don't ask you for much, show, but please let this scheme depend on Boyd donning a top hat and monocle.


10pm, Spike
Joe Schmo: The Full Bounty
Skylar is communicating with her deceased husband, which raises red flags for Chase in "Is That a Gun in Your Pocket?" On the bounty-hunter-training front, Wanda serves up an unorthodox tutorial on frisking.


10pm, TBS
Cougar Town
"Restless" finds Jules in the throes of insomnia, which seems chemically impossible for someone who consumes, on average, 51 fluid ounces of a depressant every day. In other cul-de-sac goings-on, Grayson is laid low by a roller hockey injury, and Ellie does her damndest to elude Andy's Valentine's Day-inspired friskiness.


SEASON 2 FINALE, 10:30pm Comedy Central
The Burn With Jeff Ross
Nikki Glaser, Al Madrigal, and Ralphie May join Jess for conversations about Valentine's Day and hipsters. Also, Snoop Lion (née Dogg) is the target of a "Friendly Fire" segment.


LATE-NITE:
– Bill Maher, Celeste Anderson, and Jackie Kashian on Conan, 11pm, TBS
– Jenny McCarthy on Chelsea Lately, 11pm, E!
– Mike Piazza on The Daily Show with Jon Stewart, 11pm, Comedy Central
– Oxford American editor Roger Hodge on The Colbert Report, 11:30pm, Comedy Central
– Charles Barkley, The World's Fastest Free Throw Shooter, and Jewel on The Tonight Show with Jay Leno, 11:35pm, NBC
– Bruce Willis, the 2013 Sports Illustrated Swimsuit Issue cover model, and Little Big Town on Late Show with David Letterman, 11:35pm, CBS
– Jessica Alba, Bobby Flay, and Elle Goulding on Jimmy Kimmel Live, 11:35pm, ABC
– Josh Duhamel, Craig Robinson, Christina Tosi, and Boyd Tinsley on Late Night with Jimmy Fallon, 12:37am, NBC
– Ted Danson and Teresa Palmer on The Late Late Show with Craig Ferguson, 12:37am, CBS



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Homeland "State of Independence" Review: Nicholas Brody's Series of Unfortunate Events

Homeland S02E03: "State of Independence"

Last week, I wrote something to the effect of, "In case you forgot, the team behind Homeland was also involved in Fox's 24" in reference to the incredible action sequence in "Beirut is Back." Carrie's narrow escape from Abu Nazir's men was responsible for a noticeable percentage increase in America's collective blood pressure, a heart-pounder that was executed with competent precision. Similar moments were certainly a totem of 24, but they usually ended with Jack Bauer strangling a terrorist and shoving an American flag down the bad guy's throat.

I wasn't a regular viewer of 24, but one other frequent trademark of the series I've learned of from those who did was that 24 occasionally made less sense than a rabbit with a pancake on its head. I've heard complaints from those viewers about storylines dealing with amnesia, soccer-mom rape, and a mountain lion, as well as anything else to do with Elisha Cuthbert's Kim. Sometimes the worst enemy for a show is the show itself, as it attempts to one-up previous episodes to keep the shock value up. It's kind of like when Duracell comes out with a new type of battery and brags about it on its packaging by bashing its old batteries. "Those batteries? SUCKY! Now these batteries, they're the tits! (Buy Duracell)"

So where am I going with this? I'm not saying Homeland is following in 24's footsteps, but it's at least trying on the same pair of shoes. Some things that happened in "State of Independence," one of the more bizarre episodes of the series to date, felt like they were pressured into topping what had come before, plausibility be damned. And maybe for you they weren't so extreme, but to me, I think they unnecessarily skipped a step in the OMFG meter. Brody accidentally/purposefully MURDERED someone he wasn't supposed to, mostly because his wife called him at an inconvenient time. And Carrie tried to MURDER herself, mostly because all the progress she made living outside the CIA was undone with one quick trip to Beirut. Murder and suicide? Those are some extreme things! That's like Season 3 or 4 stories to tell right there, not early Season 2 (RIGHT, Friday Night Lights Season 2 Landry?). Yet they were still a ton of fun to watch.

Let's take Brody's murder first. Brody, still a lapdog for Nazir, was assigned the task of taking the vest-bomb-maker to a safe house because the heat was on him after Carrie took intel from Beirut. Nazir chose Brody because it made half-sense; he knows him and vice versa, and Brody should take an interest in his safety because he's one of the few people who can identify Brody as a turncoat. But is Brody–a very valuable asset inside the den of the infidel American government–the best choice for this? It seems like Nazir's web of sleeper agents and undercover terrorists should have a, eager beaver who can do this, rather than risk Brody's cover with these mundane chores of giving a guy a ride to a house. And Allah forbid if something goes wrong.

And boy did it go wrong! The string of unfortunate events that led to Brody accidentally impaling Mr. Bomb Maker was borderline comical. A cranky hostage, a flat tire, a car without a jack, Jess' annoying phone calls... that's right up there with the worst days ever. We've all had crazy days that make no sense unless you were there to witness it, but (hopefully) they didn't end with a terror suspect in your custody dead. And the whole time, Mr. Bomb Maker had thoughts of cracking Brody over the head with a crowbar, rock, and SUV! But as ludicrous as it was, it was still absolutely compelling to watch! Damian Lewis polished off his Emmy and used his acting powers to really convey the sense that Brody couldn't believe what was happening either, and that went a long way towards making us forget just how far into space this story went.

But seriously, Brody. Why oh why did you pick up the phone when Jess called that final time? And why would you try and shut up your dying prisoner while on the phone with your wife who can hear the whole thing? When Brody snapped his neck, I'm surprised Jess didn't ask if he just bit into a fresh carrot. There are times when it's necessary to be shocking, but if we're going to take a show seriously, these characters need to do basic things at a 4th-grade level. And that means just letting your phone go to voicemail like the rest of us when we're in the middle of trying to save the life of a suspected terrorist that we just tackled onto a sharp object.

That was followed shortly after by Carrie's attempted suicide by white wine spritzer (hold the soda, add a handful of prescription pills and heavy contemplation). Carrie has always been unstable and has engaged in dangerous behavior before (her first thought was to go find some lonely men at a jazz bar for impersonal sex, I presume), but she's had low points lower than just not being invited to the CIA's debriefing parties so the suicide attempt felt more like a game of Chicken between writers to see how far they could push things.

But again, the scene is sold on the actor's performance and director's eye. Clare Danes took herself to a really dark, deep place in that sequence, making that scene as uncomfortable to watch as anything this uncomfortable series has offered. The eerie calm Carrie displayed after guzzling that second glass of vino and slowly ascending the stairs was downright chilling. To see someone so accepting of what they just did... aye aye aye! And her sudden realization of what she had done was the counterpoint to that, eyes wide in a final live-saving gasp as she booked it to the bathroom to unswallow her death serum. (I love gore and violence, but people vomiting make me squirm.)

These bad days for Brody and Carrie aren't just for show and without purpose, though. Last season, these two found their way to each other when they were at low points, Brody fighting with Jessica after suspecting her of banging Mike and Carrie feeling rejected by her peers for that crazy idea that Brody might be a sleeper agent for Abu Nazir. It made sense at that point for these two to come together, and that opened up the story to a whole new level. We just didn't know how Homeland would bring Carrie and Brody back together in Season 2 in a believable way. Answer: pretty much the same way the show did in Season 1.

There's just one thing. This time around, Carrie's low point was followed by a high point: confirmation that she was right about Brody being a no-good terrorizin' turncoat. Definitely in the Top 10 of "I told you so!"s in history, right up there with Copernicus and that person who warned me about Miracle Whip. But knowing Carrie, she'll use this information as an excuse to get even closer to Brody.

The real question is how Saul will use this information. Will he tell Estes and the CIA, or will he keep it between him and Carrie? And does he now encourage Carrie to get closer to Brody to find out information? Twenty bucks says it's the latter with Saul stuck precariously between an agent that pushes the limits and pressure from the CIA.

"State of Independence" was either a sign that we should strap ourselves in and get used to some borderline craziness as we move forward, or a blip in a series that otherwise pushed extremes yet still kept a foot in believability. But even if we're starting 24: Day Nine, it's hard to pry our eyes from the talents of actors Danes and Lewis and people behind the camera. This is good, crazy stuff.

NOTES


Doo-bee-doo-bee-doo-wop-bop-bop!

– Am I the only one who is incredibly tickled when Carrie is driving around town listening to jazz?

– Was there more of a purpose to Saul being harassed by the security in the airport other than to show his sneaky sly ways? Will that memory card switcheroo come back to haunt him?

– Mike was totally gonna bang Jessica again, wasn't he? And Jessica was going to let it happen in HER HOUSE, where Dana wakes up at the slightest BOING from a bed spring. This after almost getting caught by Dana doing it on the kitchen counter with Brody. Are she purposefully trying to traumatize her children?

– Once again, Morena Baccarin put in a strong performance. Maybe it's contagious?

– Who here HASN'T taken a car wash shower?


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Breaking Bad "Buyout" Review: Empire State of Mind

Breaking Bad S05E06: "Buyout"

The best at everything get to the top because they have a gear others don't. Natural talent is great and fun for parlor tricks, but drive, sacrifice, and an insatiable desire to be the best are what really separate the good from the great. Walter White no longer has any interest in second place or getting by, he's CEO of Blue Rocks Inc. and he wants to be the Michael Jordan, the Steve Jobs, and the Oprah Winfrey of getting people whacked out of their gourds through chemistry.

And if a little kid named Drew Sharp gets in his way, so be it.

Lines were drawn during tonight's Breaking Bad, the relatively tame yet critical "Buyout," and all alone on one side—the side that doesn't want to quit until he's wiping his ass with hundred-dollar bills—was Walter. Part of his drive for more, more, more comes from his previous bonehead decision to sell out for five grand and relinquish his stake in Gray Matter, the billion-dollar corporation he co-founded, and it's a great story for Walter to tell anyone who will listen to sway them to his side. But I don't think Walter is willing to turn down an easy five million just because he made an oopsie decades ago.

It's a perfectly good cover story and there's certainly some truth in it, but the real reason Walter wants his meth trade to continue is that he's worked so hard for it and, more importantly, that he has nothing to lose. He's living life the same way he likes his magnets, dial turned all the way up to the max. The same way he likes his cars, fast and loud. The same way he likes his breakfast. Extra bacon! Drive and natural talent separate the great from the good, but drive, natural talent, and a willingness to lose everything separates the greatest from the great. In case it wasn't clear before, Walter wants an empire now, and he's willing to do anything and deal with anything to get it.

Mike and Jesse aren't ready to follow Walter to the edge, and when the opportunity to put everything in the rearview mirror (the dead kids, the DEA interrupting time with the grandchildren) came up with a nice $5 million tip, Jesse and Mike jumped on it and said they were out. Jesse loves kids, but I think Walter's attitude on the matter (Walter was whistling a jolly tune while Jesse rotted on the inside after the news report about Drew) was just as much cause for Jesse to agree to sell out. As for Mike, well, I wouldn't have been surprised if he channeled Roger Murtaugh and said, "I'm too old for this shit."

But Walt knows three-way business partnerships are all about being on the side with two, and since Mike is a hardheaded mule whose stubborn wisdom was forged over the course of a long life of doing things his way, Walter again turned to Jesse, his malleable plaything. Because Jesse runs on emotion, Walter set him up by inviting him over and telling him sob story (re: Gray Matter), then giving him a sad peek into his broken domestic life.

That—Jesse Pinkman eating dinner at the White household—was a scene I felt like I'd been waiting for for five years, and it was so hilarious and awkward that it was totally worth it. Watching Jesse struggle to drag the dinner into some sort of normalcy by talking about scabby frozen lasagna while Skyler guzzled wine and murdered Walter with her eyes and Walter sat there quiet as his plan was perfectly executed was right up there with The Talking Pillow as one of the series' exquisitely difficult scenes to watch. It's also one of the funniest scenes Breaking Bad has ever done, and I think only the second time Aaron Paul and Anna Gunn have shared the screen (the first being in Season 1 when Skyler went to Jesse's house to ask about Walter's pot).

"My wife is waiting for me to die," Walter said. "This business is all I have left now. It's all I have. And you want to take it away from me." It's a bit of a repeat from last season when Walter was fighting for Jesse's loyalty with Gus, but once a pushover, always a pushover. And it worked. A softened Jesse gave Walter one more chance, and when you give Walter a chance, he runs with it. Walter, the man with infinite plans, has a new one. One that will allow Walter to keep all the methylamine and Jesse and Mike to get their $5 million paydays. "Everybody wins," Walter said. Except for all the people that will lose.

NOTES

– Ominous opening scene in this one, but beautifully put together. Drew's bike was meticulously deconstructed and dissolved in vats of acid. Its 50cc heart removed, skeletal structure cut down, and tires peeled off to make it all fit in the buckets. But that was all set-up for what the scene was really trying to convey: getting us to imagine the similar things the guys had to do to Drew.

– "Jesse, you asked me if I was in the meth business or the money business. Neither. I'm in the empire business."

– Do we have a new villain in Declan, the dealer from Arizona? And does Walter's everybody-wins plan involve ripping Declan off?

– It was pretty awesome to hear Walter, Jesse, Todd, and Mike talk about Todd's decision to shoot Drew after I focused last week's review on that very thing.

– Walter's escape from Mike's binds was this week's edition of Mr. Science Gets Out Of a Pickle, and it was incredibly badass. I loved the close-up shot of Walter gnawing through the wire like a rat. At one point I wasn't sure of whether he was going to pull a Merle from The Walking Dead and lose the hand or a Riggs from Lethal Weapon (second reference!) and pop his shoulder out and stretch to grab a tool. But the fact that those ideas were in the back of my head shows how far I think Walter is willing to go now.

– Hank is 100-percent correct: Miracle Whip is disgusting. Team Mayonnaise!

– Mike's dead-drop of the note that read "F*ck You" was okay. But nothing will top Tio Salamanca's bell-ringing rendition of "Suck my..." R.I.P., Tio!

– I'm still trying to piece together why Todd kept Drew's tarantula, but I'm leaning toward the theory that Todd is just as immature and inexperienced as Drew... as opposed to Todd feeling some sort of compassion for Drew and wanting to hold on to what was his.

– I don't want to sadden anyone, but there are only two episodes left this season. And don't believe anything about split seasons, these are Seasons 5 and 6, not 5 and 5.5.

Breaking Bad: "Buyout"

Follow TV.com writer Tim Surette on Twitter: @TimAtTVDotCom

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