Showing posts with label Homeland. Show all posts
Showing posts with label Homeland. Show all posts

Homeland "State of Independence" Review: Nicholas Brody's Series of Unfortunate Events

Homeland S02E03: "State of Independence"

Last week, I wrote something to the effect of, "In case you forgot, the team behind Homeland was also involved in Fox's 24" in reference to the incredible action sequence in "Beirut is Back." Carrie's narrow escape from Abu Nazir's men was responsible for a noticeable percentage increase in America's collective blood pressure, a heart-pounder that was executed with competent precision. Similar moments were certainly a totem of 24, but they usually ended with Jack Bauer strangling a terrorist and shoving an American flag down the bad guy's throat.

I wasn't a regular viewer of 24, but one other frequent trademark of the series I've learned of from those who did was that 24 occasionally made less sense than a rabbit with a pancake on its head. I've heard complaints from those viewers about storylines dealing with amnesia, soccer-mom rape, and a mountain lion, as well as anything else to do with Elisha Cuthbert's Kim. Sometimes the worst enemy for a show is the show itself, as it attempts to one-up previous episodes to keep the shock value up. It's kind of like when Duracell comes out with a new type of battery and brags about it on its packaging by bashing its old batteries. "Those batteries? SUCKY! Now these batteries, they're the tits! (Buy Duracell)"

So where am I going with this? I'm not saying Homeland is following in 24's footsteps, but it's at least trying on the same pair of shoes. Some things that happened in "State of Independence," one of the more bizarre episodes of the series to date, felt like they were pressured into topping what had come before, plausibility be damned. And maybe for you they weren't so extreme, but to me, I think they unnecessarily skipped a step in the OMFG meter. Brody accidentally/purposefully MURDERED someone he wasn't supposed to, mostly because his wife called him at an inconvenient time. And Carrie tried to MURDER herself, mostly because all the progress she made living outside the CIA was undone with one quick trip to Beirut. Murder and suicide? Those are some extreme things! That's like Season 3 or 4 stories to tell right there, not early Season 2 (RIGHT, Friday Night Lights Season 2 Landry?). Yet they were still a ton of fun to watch.

Let's take Brody's murder first. Brody, still a lapdog for Nazir, was assigned the task of taking the vest-bomb-maker to a safe house because the heat was on him after Carrie took intel from Beirut. Nazir chose Brody because it made half-sense; he knows him and vice versa, and Brody should take an interest in his safety because he's one of the few people who can identify Brody as a turncoat. But is Brody–a very valuable asset inside the den of the infidel American government–the best choice for this? It seems like Nazir's web of sleeper agents and undercover terrorists should have a, eager beaver who can do this, rather than risk Brody's cover with these mundane chores of giving a guy a ride to a house. And Allah forbid if something goes wrong.

And boy did it go wrong! The string of unfortunate events that led to Brody accidentally impaling Mr. Bomb Maker was borderline comical. A cranky hostage, a flat tire, a car without a jack, Jess' annoying phone calls... that's right up there with the worst days ever. We've all had crazy days that make no sense unless you were there to witness it, but (hopefully) they didn't end with a terror suspect in your custody dead. And the whole time, Mr. Bomb Maker had thoughts of cracking Brody over the head with a crowbar, rock, and SUV! But as ludicrous as it was, it was still absolutely compelling to watch! Damian Lewis polished off his Emmy and used his acting powers to really convey the sense that Brody couldn't believe what was happening either, and that went a long way towards making us forget just how far into space this story went.

But seriously, Brody. Why oh why did you pick up the phone when Jess called that final time? And why would you try and shut up your dying prisoner while on the phone with your wife who can hear the whole thing? When Brody snapped his neck, I'm surprised Jess didn't ask if he just bit into a fresh carrot. There are times when it's necessary to be shocking, but if we're going to take a show seriously, these characters need to do basic things at a 4th-grade level. And that means just letting your phone go to voicemail like the rest of us when we're in the middle of trying to save the life of a suspected terrorist that we just tackled onto a sharp object.

That was followed shortly after by Carrie's attempted suicide by white wine spritzer (hold the soda, add a handful of prescription pills and heavy contemplation). Carrie has always been unstable and has engaged in dangerous behavior before (her first thought was to go find some lonely men at a jazz bar for impersonal sex, I presume), but she's had low points lower than just not being invited to the CIA's debriefing parties so the suicide attempt felt more like a game of Chicken between writers to see how far they could push things.

But again, the scene is sold on the actor's performance and director's eye. Clare Danes took herself to a really dark, deep place in that sequence, making that scene as uncomfortable to watch as anything this uncomfortable series has offered. The eerie calm Carrie displayed after guzzling that second glass of vino and slowly ascending the stairs was downright chilling. To see someone so accepting of what they just did... aye aye aye! And her sudden realization of what she had done was the counterpoint to that, eyes wide in a final live-saving gasp as she booked it to the bathroom to unswallow her death serum. (I love gore and violence, but people vomiting make me squirm.)

These bad days for Brody and Carrie aren't just for show and without purpose, though. Last season, these two found their way to each other when they were at low points, Brody fighting with Jessica after suspecting her of banging Mike and Carrie feeling rejected by her peers for that crazy idea that Brody might be a sleeper agent for Abu Nazir. It made sense at that point for these two to come together, and that opened up the story to a whole new level. We just didn't know how Homeland would bring Carrie and Brody back together in Season 2 in a believable way. Answer: pretty much the same way the show did in Season 1.

There's just one thing. This time around, Carrie's low point was followed by a high point: confirmation that she was right about Brody being a no-good terrorizin' turncoat. Definitely in the Top 10 of "I told you so!"s in history, right up there with Copernicus and that person who warned me about Miracle Whip. But knowing Carrie, she'll use this information as an excuse to get even closer to Brody.

The real question is how Saul will use this information. Will he tell Estes and the CIA, or will he keep it between him and Carrie? And does he now encourage Carrie to get closer to Brody to find out information? Twenty bucks says it's the latter with Saul stuck precariously between an agent that pushes the limits and pressure from the CIA.

"State of Independence" was either a sign that we should strap ourselves in and get used to some borderline craziness as we move forward, or a blip in a series that otherwise pushed extremes yet still kept a foot in believability. But even if we're starting 24: Day Nine, it's hard to pry our eyes from the talents of actors Danes and Lewis and people behind the camera. This is good, crazy stuff.

NOTES


Doo-bee-doo-bee-doo-wop-bop-bop!

– Am I the only one who is incredibly tickled when Carrie is driving around town listening to jazz?

– Was there more of a purpose to Saul being harassed by the security in the airport other than to show his sneaky sly ways? Will that memory card switcheroo come back to haunt him?

– Mike was totally gonna bang Jessica again, wasn't he? And Jessica was going to let it happen in HER HOUSE, where Dana wakes up at the slightest BOING from a bed spring. This after almost getting caught by Dana doing it on the kitchen counter with Brody. Are she purposefully trying to traumatize her children?

– Once again, Morena Baccarin put in a strong performance. Maybe it's contagious?

– Who here HASN'T taken a car wash shower?


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Homeland "Beirut Is Back" Review: Intensity Intensified

Homeland S02E02: "Beirut Is Back"

One of the things we always heard about from Carrie and Saul in Season 1 were the good old days, when the two used to run around the Middle East doing cool, dangerous CIA-operative things in the field. It was a detail that we were aware of, but not anything that was at the forefront of our mind as we focused more on domestic issues of counter-intelligence, polygraphs and finger-tapping patterns, and testing the suspension of cars while doing it in the backseat.

Last week's on-foot pursuit through the marketplaces of Beirut that finished with a smile gave us a taste of the good old and dangerous days, but tonight OH MY LORD DID YOU SEE THAT? There was a level of sustained intensity for a large portion of the episode that was almost too much to handle, and it was all well set up by our uncertainty with Carrie.

The first portion of "Beirut Is Back," one of the best episodes of Homeland to date, was carefully designed to dog pile doubt on Carrie. Saul, one of her biggest supporters, audibly expressed his reluctance to trust her judgment, Estes and his special forces buddy made the international sign for crazy (twirling finger by the ear) everytime her name came up, and Carrie didn't do herself any favors by making Carrie faces and crying on the roof all while saying how fucked up she is and how she doesn't even trust herself. It's remarkable that we as an audience still aren't fully confident in Carrie's abilities despite the fact that we know that she's always right.

That's because Homeland knows its psychology. For all the times Carrie was right, she has very few victories to show for it and that subconsciously sneaks into the back of our brains. Add to that all the doubt that comes out of every other characters' mouth–Carrie herself included this time–and Claire Danes' convincing performance as a crazy person, and it really tatters the image of the hero in our minds. Homeland does an incredible job of looking at the episode from the point of view of the viewer, asking questions like, "What will the viewer be feeling at this point and how can we exploit it?," rather than "Plot plot plot!!" It's that engrossing toying with our minds that makes Homeland excel, and the nifty side effect of that? Our brains get off on the masochism and we become more invested in the plot.

In case you forgot that Homeland co-creators Howard Gordon and Alex Gansa were on the staff for 24, the awesome ground operation to Kill or Capture Abu Nazir was there to remind you. And the way tension was layered onto the scene by bringing Brody into the war room to watch the operation unfold while he had to rely on AT&T; to save Nazir's life with top-ranking U.S. officials a peek away from exposing the biggest spy of the century. I'm pretty sure my knuckles exploded during that scene.

There's no need to replay the events of what happened after here, other than to say it was breath-stealing television, but it's worth noting that more bullets were fired in the second half of this episode than in the entire first season (I think?). But despite the new territory, that didn't mean Homeland didn't know how to manufacture a solid action sequence. The whipping camera angles, fast cuts, and Carrie's brick in the face showed this series is more than capable of going blockbuster when it needs to. It just hasn't had much of a need to do it until now. And along with Brody's tense situation in the room with Walden, the restless natives rocking Saul's SUV back and forth gave us a sequence in which the danger was not only high for Carrie on-the-run, but also for Saul in the street and for Brody all the way back in D.C. When a single event is spread that far wide, we really understand just how big the stakes are. These events didn't feel isolated. It felt like the fate of the world was being decided in that moment.

But again, it's all about Carrie. For the CIA, bringing Carrie over to Beirut has its good and bad. Yes, she's the only one who can talk to Fatima the informant which is a big win for the U.S. of A, but she's also just as likely to jump out of the SUV and into the teeth of the enemy because her singular focus on catching Nazir screams NOW NOW NOW so much that's she's willing to run into the den of the bad guys on a hunch.

And that's what you get with Carrie. She's almost a new take on the classic cop character who doesn't play by the rules and ends up throwing her badge at her boss when he mumbles, "You gotta play by the rules, son." She won't do things by the book, but she knows when to strike. And tonight she grabbed a heap of stuff from a stranger's apartment hoping something would favor her cause. And what did we find? A bunch of garbage... and the memory card that held Brody's confession video. I never expected Homeland to bring that incriminating evidence back so quick, and I certainly never expected it to get into the hands of Saul this early into Season 2. That's evidence that Brody is who Carrie thinks he was. This is redemption for all of Carrie's craziness in Season 1. This is a huge revelation for the series, and if they're bringing that up now, what do they have in store for the rest of the season? "Beirut Is Back" was a fantastic episode that added a new level to the series that still has so much to give.

NOTES

– Is anyone writing better whip-smart, annoyed, yet charming dialogue for teenagers than Homeland? The Finn and Dana encounter in the Waldens' mansion was instantly endearing.

– I guess they need to find something to do with Jessica, and getting her into the D.C. wives circle is the obvious way to go. But will it really compare with everything else that is going on?

– Brody talking to his Marines buddies was fantastic. Again, Homeland likes to put its characters with credible thoughts in positions where they aren't credible. This time it's the guy who is a boozer with a penchant for conflict, and that's consistent with Season 1.

– One concern: they've already stretched Brody very far in terms of how dedicated he can be to Abu Nazir's movement. He's done all this chores for Nazir's cause willingly despite morally disagreeing with it; I'm expecting him to resist the next request and get into deep doo doo for doing so. There can't be much more chatter about him saying something to the effect of "I've already proved myself."

– Carrie back in the U.S. She gets dropped off, and sits in her sister's living room and listens to the clock tick tick tick. After the smile from last week, it's so obvious where she needs to be. How will they get her back into the CIA this time? Will Saul finding that memory card help her cause?

– How does Saul react to finding the Brody confession? What does he do with it? Does the CIA now just keep a close eye on him to see if he's working for the other side? Does Brody have honest political aspirations? Ahhhhhh! So far, I'm incredibly satisfied with where Homeland is going in Season 2.

Follow TV.com writer Tim Surette on Twitter: @TimAtTVDotCom

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What to Watch This Weekend: Fringe, Homeland, and Revenge

I just want to let you know that I checked like EIGHT times to make sure Person of Interest wasn't somehow airing any random new episodes tonight. Because I think my heart might lit'rally stop if I ever miss mentioning it again and have to undergo the consequences. On the bright side, we actually have stuff to watch on Friday now! And Sunday is like an explosion of television greatness! Premiere season just does not cease to excite me. And it should excite you, too, because now you don't even have to attempt to make plans for the weekend. Take a look at what I'm talking about, then start prioritizing your DVRs—and when you're finally finished with that go outside and watch the sunset or something. It'll feel good, I swear:

What to watch on Friday, September 28...

SEASON 5 PREMIERE, 9pm, Fox
Fringe
In tonight's long-awaited Season 5 premiere, which has one of the longest titles and most confusing titles I've ever had to type, "Transilience Thought Unifier Model-11," Peter and Etta are on the search for Olivia and they start in 2036. Of course, also in 2036: the future Fringe team gets released from amber after 20 years and decides to join the rebellion that will halt the Observers' world dominance. Sounds kind of wonderful!

9pm, NBC
Grimm
After taking a little break, our favorite fairy-tale detective is back on the scene. In tonight's "The Good Shepherd" Monroe investigates a robbery at a Wesen church, and meanwhile, as Nick continues his quest to reconnect with Juliette, a menacing adversary starts tracing his tracks, putting him in unknown danger. Might this dangerous opponent have any connection to Captain Renard?

SERIES PREMIERE, 9pm, CBS
Made in Jersey
The 9 o'clock time slot is looking pretty busy, eh? In CBS's new court drama we meet small-town Jersey girl, Martina, who works at a fancy law firm in NYC. In the pilot, Martina impresses her boss by displaying some of her "street smarts" and winds up on a case involving a student and a professor at a local university. Moral of the story: Move to Jersey and all your dreams will come true.

PLUS NEW EPISODES OF...
America's Next Top Model, 8 p.m., The CW
Boss, 8 p.m., Starz
CSI: NY, SEASON 9 PREMIERE, 8 p.m., CBS
Shark Tank, 8 p.m., ABC
WWE Friday Night Smackdown!, 8pm, Syfy
America's Most Wanted, 9 p.m., Lifetime
Bering Sea Gold: Under the Ice, 9 p.m., Discovery
Dallas Cowboys Cheerleaders: Making the Team, 9 p.m., CMT
Flea Market Flip, SERIES PREMIERE, 9 p.m., TLC
Ghost Adventures, 9 p.m., Travel
Say Yes to the Dress: Atlanta, 9pm, TLC
The Ultimate Fighter, 9 p.m., FX
Tyler Perry's For Better or Worse, 9 p.m., TBS
20/20, 10 p.m., ABC
Blue Bloods, SEASON 3 PREMIERE, 10 p.m., CBS
Cheer, 10 p.m., CMT
Dateline NBC, SEASON PREMIERE, 10 p.m., NBC
Deadly Women, 10 p.m., Investigation Discovery
Eden Eats, 10 p.m., Cooking
Fashion Police, 10 p.m., E!
Haven, 10 p.m., Syfy
House Hunters, 10 p.m., HGTV
Secret Princes, 10 p.m., TLC
Yukon Men, 10 p.m., Discovery
House Hunters International, 10:30 p.m., HGTV

LATE-NITE PICKS:
Christina Aguilera and TV host Sherri Shepherd on The Tonight Show With Jay Leno, 11:35 p.m., NBC
Ice-T and Justin Kirk on Late Night With Jimmy Fallon, 12:37 a.m., CBS
Michael C. Hall and Martha Plimpton on The Late Late Show With Craig Ferguson, 12:37 a.m., CBS


What to watch on Saturday, September 29...

9pm, BBC America
Doctor Who
In "The Angels Take Manhattan" the statues in New York City start to come to life, and the Doctor must figure out how, why, and what he needs to do to stop them from terrorizing the city. (Especially that Statue of Liberty lady—can you imagine what kind of havoc she could cause?) Also, the Doctor must say goodbye to Amy and Rory. Sad.

SERIES PREMIERE, 10pm, BBC America
Chef Race: UK vs US
BBC America is really taking the cake this Saturday. In this brand new series, chefs from the United Kingdom and United States compete for the crown of ...quickest chef? Is that really something to be proud of? The results, of course, will dictate which country is better and that's really all that matters, right? It doesn't really matter what they're better at. In the pilot, the teams will race from Los Angeles to Las Vegas (hopefully not on foot) and will have to prepare sushi in a bathroom along the way as well as high tea. Sounds like a reality show, alright! I love a chef who can prepare me sushi at a moment's notice—preferably while on the loo.

SPECIAL, 10pm, Comedy Central
Demetri Martin. Standup Comedian
Hey, remember Demetri? He had a show for a while but he didn't do so hot, so now he's back on the standup circuit? Well now he's back on a standup circuit that's back on TV! How do you like them apples? In it, Demetri uses his hand-drawn charts and drawings to illustrate his observations on cultural customs and conventions. It's high-brow humor with a low-brow twist!

PLUS NEW EPISODES OF...
Doctor Who in the U.S., SPECIAL, 8 p.m., BBC America
Bayou Billionaires, 9 p.m., CMT
Dateline: Real Life Mysteries, 9 p.m., TLC
Happily Never After, SEASON FINALE, 9 p.m., Investigation Discovery
Iyanla, Fix My Life, 10 p.m., OWN
My Fair Wedding With David Tutera: Unveiled, 9 p.m., WE
The Suze Orman Show, 9 p.m., CNBC
Welcome to Sweetie Pie's: An Extra Slice, 9 p.m., OWN
48 Hours, 10 p.m., CBS
Deadly Affairs, 10 p.m., Investigation Discovery
I Was Impaled, 10 p.m., Discovey Health and Fitness

What to watch on Sunday, September 30...

SEASON 2 PREMIERE, 8pm, ABC
Once Upon a Time
So many second season returns tonight! In this one, "Broken," we pick up right where we left off last season: As the Storybrooke curse is broken, the fairy-tale characters begin to remember their past lives, but for some reason aren't able to return to the world they left so long ago. And thanks to Mr. Gold, magic has returned to the town, as well. Meanwhile, in fairy-tale land, Prince Phillip awakens a sleeping beauty named Aurora.

SEASON 7 PREMIERE, 9pm, Showtime
Dexter
In this weekend's seventh season premiere, "Are You... ?," Deb does her best to hide her involvement in the Travis murder, Batista and Quinn finally reach an agreement, and Detective Mike Anderson gets caught up in a very unfortunate rendezvous. Also, LaGuerta has second thoughts about the Bay Harbor Butcher case. Is Dexter finally in too deep?

SEASON 2 PREMIERE, 9pm, ABC
Revenge
Now that the stakes are even higher after last summer's Hamptons events, Emily must carefully plan her next move. But what, exactly, could her next move be? There's so little to work with here, but that kind of vague reveal is part of what makes this show so great. So tune in!

SERIES PREMIERE, 10pm, ABC
666 Park Avenue
ABC attempts to take on the horror genre, which I personally attribute to American Horror Story's success, but whatever. In this new series, a young couple (Jane and Henry) are offered the chance to manage a prestigious apartment complex in New York City, which they agree to because they're so entranced by the Upper East Side's swank. But soon after they move in, supernatural forces begin to haunt them, which make them wonder how they can get out of their agreement.

SEASON 2 PREMIERE, 10pm, Showtime
Homeland
The Emmy Awards sweetheart is back on television just one week after taking a whole bunch of little gold statues home with them last week—and we couldn't be happier. In "The Smile" a former asset threatens Carrie's peace away from the office and Dana lets a huge secret slip. Also, Brody learns that Nazir might not like his idea of a nonviolent terrorist approach. Go figure!

PLUS NEW EPISODES OF...
Call the Midwife, SERIES PREMIERE, 8 p.m., PBS
Cupcake Wars, 8 p.m., Food
Making Monsters, SEASON 2 PREMIERE, 8 p.m., Travel
Off the Hook: Extreme Catches, 8 p.m., Animal Planet
Rehab With Dr. Drew, 8 p.m., VH1
The Amazing Race, SEASON 21 PREMIERE, 8 p.m., CBS
The Simpsons, SEASON 24 PREMIERE, 8 p.m., Fox
Bob's Burgers, SEASON 3 PREMIERE, 8:30 p.m., Fox

Bar Rescue, SEASON FINALE, 9 p.m., Spike
Behind the Music, 9 p.m., VH1
Boardwalk Empire, 9 p.m., HBO
Family Guy, SEASON 11 PREMIERE, 9 p.m., Fox
Hell on Wheels, 9 p.m., AMC
Long Island Medium, 9 p.m., TLC
Nail Files, SEASON FINALE, 9 p.m., TV Guide
Oprah's Next Chapter, 9 p.m., OWN
Sins & Secrets, 9 p.m., Investigation Discovery
Snapped, 9 p.m., Oxygen
The Good Wife, SEASON 4 PREMIERE, 9 p.m., CBS
The Great Food Truck Race, SEASON 3 FINALE, 9 p.m., Food
American Dad, SEASON 8 PREMIERE, 9:30 p.m., Fox
The Shores, SEASON PREMIERE, 9:30 p.m., TVGuide
Bridezillas, 10 p.m., WE
Breaking Amish, 10 p.m., TLC
Copper, 10 p.m., BBC America
Married to Jonas, 10 p.m., E!
The Mentalist, SEASON 5 PREMIERE, 10 p.m., CBS
The Real Housewives of New Jersey, REUNION SPECIAL, 10 p.m., Bravo
Taboo, 10 p.m., NatGeo
Tattoo Rescue, 10 p.m., Spike
Treme, 10 p.m., HBO
Unusual Suspects, 10 p.m., Investigation Discovery

What are you watching this weekend?


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Watch the New Homeland Trailer Because It's Awesome (VIDEO)

One of the knocks against Showtime's Homeland, the best new show of last year, has been the question of sustainability. The series' premise—a decorated POW may or may not have been turned into a terrorist against his country—sounds like a fantastic logline for a miniseries, but for multiple seasons? How is that going to work?

Well the trailer below has shut this critic up with a moody minute-and-a-half of snippets from Season 2, all to the sounds of kids chanting The Police's "Every Breath You Take," which has no business working in this context except that it does! The dialogue-free trailer starts off slow, but by the end it's an accurate reminder of the paranoia, desperation, and tension that made Season 1 such a triumph.

Wow, could that have been pieced together any better? Things climb slowly with intrigue (why is Carrie going brunette? Why is Brody in the CIA's headquarters?), then get intense (why is Carrie in the Middle East? Who hasn't washed blood off of themselves at a gas station? Pill chugging!), then go full-blown insane (the Carrie cry-face! Brody flashbacks! More crying from EVERYONE!), all intercut with shots of surveillance before kicking us off the cliff with what the show is really about when Carrie *gulp* shows up at Brody's hotel room donning that remember-me-I'm-the-crazy-chick smile. Excuse me, I have to set my time machine dial for September 30. So, so good.


Homeland Season 2 premieres Sunday, September 30 at 10pm on Showtime.

Follow TV.com writer Tim Surette on Twitter: @TimAtTVDotCom

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